Malachite and Ormolu Tripod Side Tables

• Rococo - A stylistic development covering the period from about 1730 to 1770, during the reign of Louis XV in France. The rococo style falls between the rather overbearing manner of the Baroque and the formal elegance of Neoclassicism. The Rococo style reached its full maturity in France, though many of its features were used by English furniture makers. The style is marked by asymmetrical forms, especially pierced and intricate scroll work as in mirror frames, chair backs etc., and the use of shells and floral motifs. The term derives from the French 'rocaille', meaning rock work, as in gardens and fountains. There was a major Rococo revival in the mid-19th century and indeed much of what is now considered to be typically Victorian furniture is influenced by the Rococo. It is essentially feminine in feeling, and for this reason, perhaps, was regarded as rather frivolous by its successors.
• Malachite - Malachite is bright copper-green coloured stone with concentric layers which displays distinct contrasting veinings. It has been valued in the past for making or decorating small precious objects such as clocks, jewellery, dishes and so. In the Orient it was used for snuff bottles and in Russia and was favoured by the Faberge workshop. larger pieces were used for table tops.
  
  The principal source of supply was Russia but it is to be found in other regions such as Southern Africa, Mexico, Australia and France.
  
  Malachite glass is a manufactured material that was intended to resemble malachite, but often bears more resemblance to a veined coloured marble due to its lower gloss finish and lack of concentric layers. Malachite glass was manufactured by many glassworks in the 19th century including Loetz in Austria and others in Bohemia and Davidson's Greener's and Sowerby in north eastern England.
  
  It was particularly used for scent bottles, bowls, and small vases often decorated with nymphs.
  
  Malachite glass has been manufactured continuously since the late nineteenth century, most is unmarked and it is difficult to distinguish the age or manufacturer of most commercial pieces.
• Ormolu - Ormolu was popular with French craftsmen in the 18th and 19th century for ornamental fittings for furniture, clocks and other decorative items. True ormolu is gilt bronze, that is bronze that has been coated with gold using a mercury amalgam. Due to the health risks associated with using mercury, this method of creating ormolu was discontinued in France in the 1830s. A substitute was developed consisting of about 75% copper and 25% zinc, however it was inferior to the bronze version. It was often lacquered to prevent it tarnishing.
• Lion's Paw - The decorative lion's paw has been used in furniture, silver, and ceramics for centuries. It is a stylized representation of the paw of a lion, often depicted in a highly realistic or stylized form.
  
  In furniture design, lion's paws were popular in the neoclassical and Empire styles of the late 18th and early 19th centuries. They were often used as feet on tables, chairs, and other pieces of furniture. The lion's paw was a popular motif for furniture makers because it added a sense of grandeur and regalness to their pieces.
  
  In silverware design, the lion's paw was often used on the feet of tea and coffee pots, as well as on other pieces of silverware such as wine coolers and tureens. The lion's paw was often used in combination with other neoclassical motifs, such as acanthus leaves or grape clusters, to create a sense of grandeur and classical elegance.
  
  In ceramics, lion's paws were commonly used as feet on vases, urns, and other pottery items. The lion's paw was often depicted in relief or as a highly stylized form, and was sometimes used in combination with other decorative elements, such as garlands or swags.
• Circa - A Latin term meaning 'about', often used in the antique trade to give an approximate date for the piece, usually considered to be five years on either side of the circa year. Thus, circa 1900 means the piece was made about 1900, probably between 1895 and 1905. The expression is sometimes abbreviated to c.1900.
• Putto / Putti / Amorino / Amorini - A putto (plural: putti) or amerino (plural: amerini) is a cherub or cupid frequently appearing in both mythological and religious paintings and sculpture, especially of the Renaissance and Baroque periods and later used as a decorative element in the design of furniture, ceramics, statuary etc. They are usually depicted as chubby males, or of indeterminate gender, often with wings. Their depiction may represent an association with love, heaven, peace or prosperity.
• Paw Feet - A paw foot is a base of a furniture leg that resembles the paw of an animal, such as a lion or bear. It is a decorative feature that is often seen in traditional furniture designs, particularly in styles such as Chippendale, Queen Anne, and Georgian. A paw foot typically consists of a carved or moulded ball or disk at the bottom of the leg, which is then carved or shaped to resemble the toes or claws of an animal. The foot may be smooth or textured, depending on the design, and may be finished in a variety of materials, such as wood, metal, or even marble.
  
  Paw feet are often used on heavier pieces of furniture, such as chests, tables, and chairs, to provide additional stability and support. They are also used as a decorative element, adding a touch of elegance and sophistication to the overall design.
  
  "Hairy paw feet" is a term used to describe a variation of the foot design that features a carved or sculpted animal paw, such as a lion or bear, with hair or fur details. The hair or fur details were often carved in a realistic manner and added to the overall decorative effect of the furniture. Hairy paw feet were commonly found on furniture items such as tables, chairs, and cabinets and were popular in the 18th century.  
  
  

This item has been included into following indexes:

• tables, French - French, side and serving 238
• tables, purpose or type - side tables 1,169