A Louis XVI style gilt bronze and porcelain clock garniture, later 19th century, with maker's mark of a D Mougin, the elegant small clock having an enamel dial with Arabic numerals and pierced hands set within a finely beaded bezel, framed with cast bronze drapery and foliate motifs and bisque Pate-sur-pate plaques with allegorical motifs, surmounted by an urn form finial and accompanied by two conforming candelabra. Height 33.5 cm. (clock).
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- Finial - An architectural decoration, found on the upper parts of of an object. On furniture they are usually found on pediments, canopies and shelf supports. On smaller ceramic or silver items, such as spoons, they may decorate the top of the item itself, or the lid or cover where they provide a useful handle for removal.
Finials have a variety of shapes and forms. They may be urn-shaped, baluster shaped round or spiral, but usually taper into an upper point. Many real life shapes may also be used as finials, such as pineapples, berries, pinecones, buds, lotus and acorns. Sometimes animals such as a lion are depicted, or fish and dolphins.
- Foliate - Decorated with leaves or leaf-like forms.
- Bronze - An alloy of copper and tin, traditionally in the proportions of about 9 parts of copper to 1 part of tin.
The discovery of bronze in Western Asia in the 4th century enabled people to create metal objects which were superior to those previoulsy possible because of its strength and hardness, and it has been used throughout the world for weapons, coins, tools, statuary and other decorative items.
It is very fluid in a molten state, and its hardness, strength when set, and non-corrosive properties makes it most suitable for casting sculpture.
- Pâte-Sur-Pâte - Pâte-sur-pâte is a decorative technique that is commonly used in ceramics and glassmaking. The term "pâte-sur-pâte" is French and it translates to "paste on paste." This technique involves the application of layers of clay or glass paste to create a three-dimensional design.
In ceramics, the technique involves applying successive layers of a clay slip onto a piece of pottery. Each layer is allowed to dry before the next one is applied. The layers are then carved or incised to create a design in relief. This technique is often used to create delicate and intricate designs, such as figures or floral motifs.
In glassmaking, the technique involves applying layers of molten glass onto a blown glass form. The layers are then carved or etched to create a design in relief. This technique is often used to create intricate designs, such as floral motifs or animals.
Both techniques require a high level of skill and precision, as the layers must be applied and carved with great care to achieve the desired effect. The end result is a beautiful and unique piece of art that showcases the artist's talent and mastery of their craft.
- Bezel - On a clock or watch, the bezel is the metal frame into which the watch or clock glass is fitted. In clocks, the bezel may include a hinge and a flange, in effect a door to the face of the clock. In jewellery the bezel is a band of metal with a projecting lip that holds the gemstone in its setting.
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