A Louis XVI-style pier cabinet, veneered in light and dark…
click the photo to enlarge
A Louis XVI-style pier cabinet, veneered in light and dark timbers, the fascia and concave sides inlaid with floral decorated panels, the front with the slender frieze drawer above an opening cabinet, flanked by gilt metal pilasters, raised on tapering fluted legs; topped by a conforming shaped piece of verde alpe marble.83.5 cm x 37.5 cm x 39.5 cm

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • Veneers - Veneers are thin sheets of well-figured timber that are glued under pressure to the surface of a cheaper timber for decorative effect, and then used in the making of carcase furniture.

    Early veneers were saw-cut so were relatively thick, (up to 2 mm) but is was realised that saw cutting was wasteful, as timber to the equivilent of the thickness of the saw was lot on each cut.

    A more efficient method was devised to slice the timber, either horizontally with a knife, or in a rotary lathe.

    Flame veneer, commonly found in mahogany or cedar furniture, is cut from the junction of the branches and main trunk. So-called fiddleback veneers, where the grain is crossed by a series of pronounced darker lines, is usually cut from the outer sections of the tree trunk.

    During the 17th and 18th centuries, and in much of the walnut marquetry furniture made during the latter part of the 19th century, the veneer was laid in quarters, each of the same grain, so that one half of the surface was the mirror image of the other.

    The use of veneer allows many other decorative effects to be employed, including stringing, feather banding, cross banding, and inlaid decorative panels in the piece. The carcase over which veneer is laid is usually of cheaper timber such as pine, oak or, sometimes in Australia during the first half of the 19th century, red cedar.

    The important thing to remember about veneers is that prior to about 1850 they were cut by hand, and were consequently quite thick - ranging up to about 2mm deep.

    From the mid-19th century veneers were cut by machines and were almost wafer-thin. This is a critical point when trying to judge the approximate age of veneered furniture.
  • Fluting - A form of decoration found on many pieces of furniture, as well as ceramics, silver and clocks, in which round-bottomed grooves, of varying width and depth, are let into columns, pilasters, legs. As a general rule, flutes are cut in the vertical, though they may follow a turned leg in a spiral pattern. In cross-section, they may be described as a series of 'U' shapes, rising and narrowing at each end of the groove. Fluting is the opposite of reeding, with which fluting is often associated.
  • Pilasters - In furniture a pilaster is a flattened column-like detail

    applied to furniture. It is similar to a pilaster in architecture, but it is

    typically smaller and less ornate. Pilasters are often used to decorate the

    fronts of bookcases, cabinets, and other pieces of furniture. Pilasters can be

    made of wood, metal, or other materials. They can be fluted, carved, or plain.

    Pilasters are often used to add a touch of elegance and sophistication to

    furniture.

  • Panels - Timber pieces, usually of well-figured wood either recessed or applied over the frames of doors and as decoration elsewhere in the carcase of cabinet furniture. The panels may take a variety of shapes rectangular, square, shield shape, oval, half-round or in the form of Egyptian pylons.
  • Frieze - An architectural term denoting the flat, shaped or convex horizontal surface of furniture, between the architrave and the cornice, usually found on a cabinet or bookcase, or on desks and tables where it may include drawers, the area between the top and the legs. In ceramics, the term refers to the banding, of usually a repeating pattern, on the rims of plates and vases.
  • Inlay - Decorative patterns inserted into the main body of a piece of furniture, generally in wood of contrasting colour and grain, though brass, ivory, ebony, shell and sometimes horn have been used. Inlay may consist of a panel of well figured timber inset into a cabinet door front, geometric patterns, or complex and stylized designs of flowers, swags of foliage, fruits and other motifs. As a general rule, in pieces where the carcase is constructed in the solid, the inlay is relatively simple such as stringing, cross banding and herringbone banding. Where more elaborate and decorative work was required veneer was used. Inlay has been fashionable from at least the latter half of the 17th century, when a variety of elaborate forms were developed

This item has been included into following indexes:

Visually similar items

Small Victorian mahogany chiffonier with scroll carved back, 1 drawer and 2 doors, on turned bun feet, 76 cm wide, 34 cm deep, 123 cm high approx

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

19th century Australian cedar chiffonier, with shaped back above lower shelf, above rectangular top, set with single lower drawer, above arched panel doors, on turned legs

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A three drawer chestnut buffet with original hardware and working lock, French, 18th century, 102 cm high, 168 cm wide, 68 cm deep

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A Dutch style marquetry inlaid corner cabinet, 106 x 64 x 64 cm

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.