Pair of Georgian silver gravy boats with original fire gilding,…
click the photo to enlarge
Pair of Georgian silver gravy boats with original fire gilding, chased with flower, clam shell and head of Bacchus, engraved with light infantry crest?, leaf capped C scroll handle, marked William IV, 1824, TR, London approx 427g

You must be a subscriber, and be logged in to view price and dealer details.

Subscribe Now to view actual auction price for this item

When you subscribe, you have the option of setting the currency in which to display prices to $Au, $US, $NZ or Stg.

This item has been sold, and the description, image and price are for reference purposes only.
  • William Iv - William IV was King of the United Kingdom and King of Hanover from 26 June 1830 until his death in 1837, and in English furniture design it represented the brief period between the end of the Regency period, and the beginning of the Victorian period.
  • Engraving - The method of decorating or creating inscriptions on silver and other metal objects by marking the surface with a sharp instrument such as a diamond point or rotating cutting wheel.
  • Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.

    For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.

    Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.
  • Chasing - The method of decorating gold and silver objects using a punch and hammer so that the design appears in relief. Flat or surface chasing is done from the front giving the item definition, but not cutting into the metal.

    Chasing is the opposite technique to repousse, but an object that has repousse work, may then have chasing applied to create a finished piece.
  • Georgian - As an English stylistic period, Georgian is usually taken to cover the period from George I (1714) to the Regency of Prince George (1811-20), although the period from 1800 to 1830 is sometimes designated as the Regency period. During the Georgian period the great English cabinetmakers and designers such as Chippendale, Hepplewhite, Adam Sheraton etc., were all active.

    Therefore there isn't a single 'Georgian style' as such and to say something is 'Georgian', usually means it was made between 1714 and 1830. This assumes we discount George V and George VI, both being from the 20th century.

    The styles popular at the time of each reign were:

    George I (1714-1727) saw out the last years of the Baroque period.

    George II (1727-1760) reigned during the Rococo period.

    George III (1760-1820) saw the last gasp of the Rococo, all of the early Neo-Classic 'Adam style' and most of the later neo-Classic 'Regency style'.

    George IV (Prince Regent 1820-1830)encompassed the last of the 'Regency' style.

    William IV's reign (1830-1837) was something of a no man's land (stylistically) and he wasn't a 'George' anyway. He covered the last glimmerings of 'Regency' and the start of the 'Victorian' style.
  • Bacchus Motif - The Bacchus motif is a design that features the Roman god Bacchus, who is the god of wine, parties, and celebration. Bacchus is often depicted as a young man with long hair and a beard, holding a bunch of grapes or a wine cup. The Bacchus motif is often used in art and design as a symbol of abundance, revellery, and enjoyment. It can be found on a variety of decorative items, including glassware, ceramics, and other home decor items. The Bacchus motif represents the joy and celebration that can be found in social gatherings and the pleasures of good food and drink.
  • Fire Gilding - Fire gilding is a process used in metalworking in which an amalgam of mercury and gold is applied to an object and then exposed to heat to vaporize the mercury and leave the gold behind in a thin layer. Fire gilding also is applicable to plating silver, copper, and copper alloys.

This item has been included into following indexes:

Visually similar items

Regency period sterling silver creamer on ball feet London 1815, 115g, 12 cm wide

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

Two various hallmarked sterling silver milk jugs. Sheffield 1907; makers Walker & Hall. Other as inspected, possibly Georgian. Height 8 cm. (average) Weight 182g

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

A George IV silver milk jug with oriental design. Maker T & J settle. Sheffield 1821. 248 gms.

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.

Antique George IV hallmarked sterling silver partial fluted two handled sugar bowl and cream jug, marked for London, 1827-28, over stuck makers mark on each piece, 740g (2)

Sold by in for
You can display prices in $Au, $US, $NZ or Stg.