A delightful Norwegian thirteen piece sterling silver 'Viking Ship' and cornucopia cruet set and other similar. Mid 20th century, Norway, with pineapple styled maker's marks for Theodor Olsens Eftf (Bergen); the accompanying spoons marked sterling Norway. The Viking ship salts with glass liners, one ship with blue enamel decoration, the lidded cornucopia pepper pots with knot designs, accompanied by petite spoons. Total weight 308gr height 6.5 cm. And smaller
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- Pineapple - The pineapple, named because of its resemblance to a pine cone, was an exotic and scarce fruit in the 18th century. It became a popular decorative motif on furniture, silver ceramics, glass and clocks during this time.
- Cornucopia - The cornucopia, literally the horn of plenty, is a symbol of abundance and wealth. It is traditionally is represented by a curved goat horn overflowing with grain and fruit.
Modern cornucopias are often depicted as horn-shaped baskets filled with food, and this symbol is often associated with the harvest. This decorative device has a long and ancient history, with roots in Greek mythology.
In one version, when Zeus was playing with the goat Amalthea he accidentally broke off one of her horns. To atone for this, Zeus promised Amalthea that the horn would always be full of whatever fruits she desired. This became the cornucopia of the Roman goddess Copia, the personification of plenty. Other goddesses, including Fortuna and Pax, also held the cornucopia.
In furniture and decorative arts, cornucopia as a decorative element have been popular since the 16th century and can be found on items as diverse as light fittings and candelabra to clocks, sculpture and statuary and furniture.
In ceramics, cornucopia shaped vases were popular in the 19th century, in singles and pairs.
- Sterling Silver - Sterling silver is a mixture of 92.5% pure silver and 7.5% of another metal, usually copper. Fine silver is 99.9% pure silver, and is relatively soft and the addition of the very small amount of copper gives the metal enough strength and hardness to be worked into jewellery, decorative and household objects.
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