A circular marble top, painted and gilded centre table, in the baroque style, French, 20th century, 72 cm high, 90 cm diameter
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- Baroque Furniture - Baroque furniture is a style of furniture that was popular in Europe during the Baroque period, which spanned from the late 16th to the early 18th century. Baroque furniture is characterized by its ornate, decorative design, which often features elaborate carvings, gilding, and other embellishments.
Baroque furniture was popular in many European countries, including Italy, France, and Germany, and it was often used in the homes of the wealthy and in royal palaces. The Baroque style is also associated with the Church, and many churches and cathedrals from this period feature Baroque-style furniture and decorations.
The Baroque style of furniture is characterized by ornate and extravagant design elements that originated in Italy in the 17th century and spread to other parts of Europe, where it was particularly popular in the courts of royalty and the wealthy aristocracy. Baroque furniture is often made of rich materials such as gold, silver, and precious woods, and it is decorated with intricate carvings, inlaid designs, and gilded or painted finishes.
- Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.
For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.
Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.
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