A ladies Omega diamond wristwatch, manual wind movement,…
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A ladies Omega diamond wristwatch, manual wind movement, circular gilded dial with baton numerals, signed case, dial and movement, to a diamond set bezel, 18ct gold case and integral bracelet bands, total length 165 mm, 23 mm diameter. Condition: Omega signature on dial has been rubbed. Not ticking and not recently serviced or timed.

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  • Baton Numerals - A watch that instead of displaying numerals on the face, displays a marker in the form of a baton, or lower case letter "L". Since the baton-like marks are not numerals, the feature is also called baton markers, baton indexes and baton indicators.
  • Movement - The technical name for the workings of a clock or watch, and does not include the dial or case.
  • Bezel - On a clock or watch, the bezel is the metal frame into which the watch or clock glass is fitted. In clocks, the bezel may include a hinge and a flange, in effect a door to the face of the clock. In jewellery the bezel is a band of metal with a projecting lip that holds the gemstone in its setting.
  • Gilding - Gilding is a method of ornamentation whereby a thin sheet of gold metal is applied to items made of wood, leather, ceramics, glass and silver for decorative purposes.

    For furniture including mirrors, the sheet of gold is usually applied over a coating of gesso. Gesso is a mixture of plaster of Paris and gypsum mixed with water and then applied to the carved wooden frames of mirrors and picture frames as a base for applying the gold leaf. After numerous coats of gesso have been applied, allowed to dry and then sanded a coat of "bole", a usually red coloured mixture of clay and glue is brushed on and allowed to dry, after which the gold leaf is applied. Over time parts of the gilding will rub off so the base colour can be seen. In water gilding, this was generally a blue colour, while in oil gilding, the under layer was often yellow. In Victorian times, gilders frequently used red as a pigment beneath the gold leaf.

    Metal was often gilded by a process known as fire gilding. Gold mixed with mercury was applied and heated, causing the mercury to evaporate, the long-term effect of which was to kill or disable the craftsman or woman from mercury poisoning. The pursuit of beauty has claimed many victims, not the least of which were the artists who made those pieces so highly sought after today.

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