Learn about antiques and collectables...
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Learn about and understand the items, manufacturers, designers and periods as well as the specialist terms used in describing antiques and collectables. Either click one of the letters below to list the items beginning with that letter, or click on a category on the left side of the screen to list the items under that category.
Hadeland Glassverk
Hadeland Glassverk was founded in 1762 on land belonging to the Mo estate in Jevnaker, Norway. It is the oldest industrial company in Norway in continuous operation since its foundation. The glassworks was founded by Christopher Hammer, a Danish merchant who had been granted permission by the King of Denmark-Norway to establish a glassworks in Norway. Hammer recruited skilled craftsmen from abroad, principally from Germany, to get the glassworks started.
Initially, production consisted mainly of bottles, chemists' jars, medicine bottles and items of household glass. However, in 1852 when Ole Chr. Berg took charge of the glassworks, the company underwent dramatic development. Production was redefined to consist of smaller crystal items and included everything from wine glasses to bowls, dishes and vases. During the 19th century, Hadeland Glassverk mainly copied designs from other European manufacturers.
However, in the 1920s the company started developing its own designs. Hadeland Glassverk has since then become known for its innovative and stylish glassware, which is now sold all over the world. In 2001, Hadeland Glassverk was awarded the Norwegian Design Council's Classics for the Future award for its iconic glass series, Norgesglass. Norgesglass is a series of drinking glasses that was first designed in 1954. The glasses are simple and elegant, and they have become a staple in Norwegian homes.
Hadeland Glassverk remains one of Norway's leading producers of glassware, producing a wide range of products, from everyday glasses to high-end designer pieces. Hadeland Glassverk's products are known for their high quality and innovative design.
Hadley & Sons / James Hadley
James Hadley (1837-1903) was apprenticed to Kerr & Binns of Worcester, (the predecessor firm to the Royal Worcester Porcelain Company) and then worked on a contract basis for the Royal Worcester Porcelain Company from separate premises as principal modeller from 1870 to 1895. That year his contract was terminated due to falling demand and he set up his own business.
With the aid of his three sons, and trading as Hadley & Sons, he began producing decorative porcelain in 1896, with the assistance of a group of young artists. James Hadley died in December 1903 and the business was taken over by Royal Worcester in July 1905, though distinctive Hadley ware continued to be produced under the supervision of Louis Hadley for many years.
Many of the floral designs found on Hadley ware were painted in monochrome, but were always of a very high quality. Much of the Hadley output consisted of high-class earthenware decorated with transparent glazes.
Hairwork on Chinese and Japanese Ivory
Hairwork refers to the finely carved details of hair or fur on carved Chinese and Japanese ivory figures carved using a small knife or chisel and required great skill and precision. Hairwork was a popular decorative element on Chinese ivory carvings during the Qing dynasty (1644-1912) and was used to add a sense of realism and texture to the figures.
View further examples of Hairwork on Chinese and Japanese Ivory
Half Hunter
A half-hunter (or "demi hunter") pocket watch is one in which the outer lid over the face of the watch has a cut out centre section, enabling the owner to view the hands to tell the time, without having to open the lid. On some half-hunter watches, the hours are marked on the outer lid.
Half Tester Bed
A wooden or brass and iron bed, which has tall posts only at the head, supporting a canopy or curtains, and with short posts or no posts at the foot.
The tester or canopy thus covers only the top part of the bed. On brass and iron beds the curtain rails are supported by brackets fitted over the top of the posts and held firm with the threaded brass knob.
The canopy may be either a half round hoop or have straight arms usually made from brass rod. The half tester bed was sometimes referred to as an 'Italian canopy bed' though the term does not seem to have survived in general use.
Hall Chair
A wooden chair usually without arms, with a wooden seat and an upright shaped back, sometimes including a carved family crest.
They were placed in the entrance halls of large houses and are exceedingly uncomfortable and present day purchases are for decorative rather than practical use.
Suggestions that they were purposely made uncomfortable, to discourage the servants from sitting down on the job, are probably exaggerated. Hall chairs were designed by Chippendale among others, and the general style continued for at least the next century.
Hall Table
A form of console table although usually much heavier in form and design. Generally rectangular in shape, with scroll or turned legs at the front and flat rear supports. Often fitted with drawers. Many large side tables are nowadays described as hall tables, and the collector should be careful of the converted or incorrectly labelled Victorian washstand.
Hallmarks
A mark stamped on articles of precious metals in Britain, since the 14th century, certifying their purity. It derives its name from the Guild Hall of the Goldsmiths' Company, who recieved its Charter in 1327 giving it the power to assay (test the purity) and mark articles of gold and silver.
The hallmark will consist of several marks, including the:
- silver standard mark, indicating the purity of the metal. Sterling silver is .925 pure silver.
- the city mark indicating the city in which it was assayed eg London, Birmingham, York etc.
- the date mark, usually a letter of the alphabet in a particular font and case,
- a duty mark, indicating whether duty had been paid to the crown, and only in use from 1784 to 1890
The piece may include an additional mark, the maker's mark, although not forming part of the hallmark, will be located in the vicinity of the hallmarks.
Sometimes silver plated items will bear faux hallmarks, often confusing those not familiar with silver markings.
Hallstand / Hall Stand
A 19th century innovation, the earliest hallstands usually consisted of a straight or shaped upright, sometimes with a drawer and with rounded wooden pegs or hooks on which to hang coats and hats. Some versions also contained umbrella stands, eith in the central section or to each side.
Hallstands became proportionately larger during the course of the century, sometimes being equipped with lift up seats and arms, and later models had brass hooks that tended to replace the wooden knobs. Early versions were usually wooden, although wonderful cast iron hallstands are to be found from the middle of the century, richly cast and ornamented.
The best known manufacturer of cast iron hallstands was Coalbrookdale Company of Shropshire England, founded in 1709. In the 1840s the company developed a range of cast iron furniture, which, once the moulds had been created, could be mass produced. Coalbookdale items are marked either with the full name of the company or an abbreviation such as 'C-B-DALE Co'
Cast iron hallstands will often also include the date lozenge, often cast into the base of the drip trays indicating the year in which the design was registered.
Some were made in Australia featuring native plants as their dominant motifs.
Towards the end of the century, hallstands were made in bamboo and lacquer work in the Japanese taste. Hallstands continued in fashion until the 1920s and were sometimes made in the prevailing Jacobean revival fashion or the plainer styles inspired by the Arts and Crafts Movement.
A variant on the hallstand is the hall tree, usually made of timber with a central stem and three or so arching branches to each side, fitted with knobs or hooks for coats and jackets.
Another variant is the umbrella or stick stand, usually about waist height or lower, in cast iron, with a loop in the upper section and a drip tray below to hold the walking sticks, canes or umbrellas. The backs are sometimes cast in the form of animals, testifying to their connection to the great outdoors.
Halpern, Deborah
Deborah Halpern was born in 1957 in Melbourne.
She studied journalism at Royal Melbourne Institute of Technology, painting at the Caulfield Institute of Technology and Fine Arts at Latrobe University.
She trained in ceramics as a student at the 'Potter's School' and as an apprentice at her mother's workshop, Sylha Ceramics.
She is represented in the National Gallery of Victoria and numerous regional galleries.
Hamadan Rugs
Hamadan rugs and carpets are handwoven in the city of Hamadan and its surrounding areas in western Iran in the 19th and 20th century. They are known for their durability, affordability, and wide variety of designs. The weavers use locally-sourced wool and natural dyes to create intricate patterns and motifs, including geometric, floral, and animal designs with red, blue and beige the most commonly used colours. Hamadan rugs are typically hand-woven using the traditional Persian knotting technique and the knot density of Hamadan rugs is typically moderate, making them relatively affordable compared to other types of Persian rugs. Hamadan carpets are popular among collectors and homeowners alike, as they add warmth and texture to any space.
Hamilton Watch Company
The Hamilton Watch Company was founded in Lancaster, Pennsylvania, in 1892. Initially known as the Adams & Perry Watch Manufacturing Company, it specialized in producing pocket watches with high-quality movements. In 1912, the company changed its name to the Hamilton Watch Company to honour James Hamilton, a prominent figure in the early days of the company. Hamilton Watch Company became renowned for its accurate timekeeping devices and introduced several ground breaking advancements, including the first electric watch in 1957.
The 1960s marked a challenging period for many American watch companies due to increased competition from inexpensive quartz watches from Japan. In 1971, Hamilton Watch Company was acquired by the Swiss Swatch Group, which recognized the value of the brand and sought to integrate its expertise into the Swiss watchmaking tradition. Following the acquisition, the Hamilton Watch Company gradually transitioned its production to Switzerland. The Swiss-made Hamilton watches continued to embody the brand's heritage of quality and precision. In 2003, the company relocated its headquarters to Biel/Bienne, Switzerland, a renowned hub of watchmaking.
From that time, under Swiss ownership, the Hamilton brand experienced a revival, catering to a diverse range of customers and capturing the essence of American style combined with Swiss craftsmanship. The company introduced various collections, including the iconic Ventura, Khaki, and Jazzmaster lines, showcasing a blend of classic and contemporary designs.
Hamilton is recognized as a respected Swiss watch brand with a global presence. It continues to produce timepieces that combine American heritage with Swiss expertise, appealing to watch enthusiasts and collectors worldwide.
Hammer Price
At an auction the hammer price is the price achieved on the fall of the hammer. In most auction the buyers premium is then added to the hammer price to calculate the amount the purchaser must pay.
For a seller, the vendor's commission and sometimes insurance, photography and lot charges are deducted from the hammer price to calculate the amount payable to the vendor.
The hammer price is different from the auctioneer's estimate, the reserve and the bought-in price.
Hammered
A hammered finish on metal wares is achieved by striking the surface of the metal with a hammer to create a series of small, uniform indentations. The indentations can be made in a variety of patterns and depths. The resulting surface texture can vary from a subtle, almost imperceptible texture to a highly textured surface with a strong, pronounced pattern.
The hammered finish adds texture and visual interest to metal objects such as bowls, vases, and other decorative items. It can also be used to add grip or reduce glare on tools, weapons, and other functional metal objects.
A hammered finish can be applied to a range of metals, including copper, brass, silver, and gold.
Hammersley and Co.
Hammersley and Co. (Longton) Ltd was a ceramics manufacturer in Longton, Stoke-on-Trent, England. The company was founded in 1862 by Titus Hammersley and Harvey Adams. The company produced a wide range of ceramics, including tableware, decorative items, and figurines. Hammersley and Co. was known for its high quality and innovative designs.
The company's early products were mainly earthenware, but Hammersley soon began to experiment with other materials, such as porcelain and bone china. In 1885, the company was renamed Hammersley & Co. In 1932, the company moved to a new factory in Alsager.
Hammersley and Co produced a wide variety of ceramics, including tableware, decorative items, and figurines. The company's products are still highly sought-after by collectors today. Some of the most popular patterns produced by Hammersley and Co. included Alsager China, Corona Ware, Duchess China, Grosvenor Ware, Ivory Ware, Morris Ware, Rubens Ware and Titian Ware. These patterns are known for their delicate floral designs, which were often hand-painted by skilled artists. Hammersley and Co also produced a variety of other patterns, including geometric designs, landscapes, and portraits.
Hammersley and Co. was a successful company for many years. However, the company faced increasing competition from overseas manufacturers in the 1960s. In 1970, the company was acquired by Carborundum Limited. Carborundum continued to produce ceramics under the Hammersley name for a few years, but the company eventually closed in 1982.
Hanau, Germany, Precious Objects
In the late 18th century, Hanau, Germany, was a centre for the production of high-quality precious objects in gold and silver. Some of the most notable characteristics of these objects include:
- Repoussé work: Many of the objects made in Hanau during this period feature intricate repoussé work, in which the metal is hammered from the reverse side to create a raised design on the front. These designs often feature scrolling foliage, flowers, and animals, and are highly detailed.
- Figural designs: Hanau objects often feature figural designs, such as figures from mythology or allegorical figures, often applied as sculptural elements to a functional object like a cup or candelabrum.
- Marks: Hanau silversmiths were required by law to include a maker's mark, city mark, and standard mark on their objects. These marks can help to identify the maker and approximate date of production of a given object.
- Finely detailed engraving: Many Hanau objects feature finely detailed engraving, which can enhance the decorative effect of the piece and highlight the precision and skill of the craftsman.
- Use of exotic materials: Hanau craftsmen sometimes incorporated exotic materials, such as ivory, into their designs, adding an element of luxury and rarity.
Handel Company
The Handel Company was a glass company based in Meriden, Connecticut, United States that was active during the late 19th and early 20th centuries. They produced a range of decorative objects, including lamps and lampshades, which were highly sought after by collectors and design enthusiasts.
Handel lamps were known for their high-quality construction and intricate designs, which often featured detailed metalwork and colourful stained glass shades. Many of the lamps were designed in the Art Nouveau or Arts and Crafts styles, which were popular during the late 19th and early 20th centuries.
Some of Handel's most popular lamp designs included the "Handel Reverse Painted Lamp," which featured a shade painted on the inside to create a vibrant, luminous effect, and the "Handel Overlay Lamp," which featured a shade with multiple layers of glass to create a three-dimensional effect.
Handel lamps are highly collectible, and many are considered valuable examples of early 20th-century decorative arts.
Hanging Cupboard
Any small cupboard intended to be attached to the wall, often of a triangular shape for corners. Used as food and storage cupboards from early times, some were fully panelled, others were fitted with glazing bars. Collectors should rely on stylistic evidence to determine age, although hanging cupboards with large plate glass fronts usually date from the 20th century.
Hanoverian Pattern
This style was popular under George I, between 1700 and about 1770, and was characterised a simple form consisting of a long bowl and central spine running up the face of the spoon, with the handle widening towards the top, and the end of the spoon curving upwards instead of downwards as with most patterns.
Production of spoons and forks in the Hanoverian style was revived in the 19th century.
Hanoverian Pattern on Silver
The Hanoverian pattern is a classic design for sterling silver cutlery or flatware known for its understated elegance and timeless style that has been popular for over 300 years. It is a simple, elegant design that features a long, slender handle that curves gently at the end, and a slightly pointed, oval-shaped bowl or blade.
The Hanoverian pattern originated in the early 18th century, during the reign of George I of England, who was from the House of Hanover. The design is believed to have been created to honour the new king, and it quickly became a popular choice for silver cutlery and flatware. The Hanoverian pattern remained popular throughout the 18th and 19th centuries, and it is still produced today by many silver manufacturers.
Hans Coper
Hans Coper was a German-born British ceramic artist and sculptor. He was born in 1920 in Essen, Germany and began his career as a ceramic artist in the 1940s. He moved to England in 1939 as a refugee of the Nazi regime and studied at the Royal College of Art in London.
He is widely regarded as one of the most important ceramic artists of the 20th century. He was known for his abstract, sculptural ceramics, which were heavily influenced by modernism and cubism. He often used simple, geometric forms and bold colors to create powerful, dynamic pieces.
Coper worked primarily with stoneware, and he was particularly interested in the properties of the clay and the way it could be manipulated to create different forms and textures. He also experimented with glazes and firing techniques to achieve a variety of effects.
His work was widely exhibited and collected during his lifetime, and it continues to be highly sought after by collectors and museums today. He died in 1981.
Hans Hansen
Hans Hansen (1884-1940) was a Danish silversmith and jewellery designer. He was born on May 20, 1884, in Kolding, Denmark and began his career as an apprentice to his father, a goldsmith, where he learned the skills and techniques of the trade. After completing his apprenticeship, he went on to study at the Royal Danish Academy of Fine Arts in Copenhagen, where he honed his design sensibilities and gained a deeper understanding of artistry and craftsmanship.
He founded his own company in Kolding, Denmark in 1906. Initially, the company produced flatware, but when it became successful, they started producing jewellery. In 1931, Hans Hansen designed himself the first pieces of jewellery, and in 1932, his son Karl Gustav Hansen designed the first successful line of jewellery.
Throughout his career, Hans Hansen collaborated with several talented designers and craftsmen and as well as his son Karl Gustav Hansen they included Bent Gabrielsen, and Allan Scharff. Together, they created timeless and iconic pieces that garnered international acclaim and brought Danish design to the forefront of the global stage. Hans Hansen's jewellery is characterized by its simple, geometric shapes and its use of precious metals and stones. His designs were inspired by Art Deco and Modernism, and his work is considered to be some of the finest silver and jewellery produced in Denmark during the mid-20th century.
In the mid-20th century, Hans Hansen's designs received numerous awards and accolades, including the prestigious Lunning Prize in 1951, which recognized outstanding Scandinavian design. His works were exhibited in renowned international exhibitions, including the Milan Triennials and the International Design Exhibition in Brussels.
Hans Hansen's legacy continued to thrive even after his passing in 1940. His workshop was passed down to his son, Karl Gustav Hansen, who carried on his father's traditions and further expanded the brand's reach. Today, Hans Hansen's original designs are highly sought after by collectors and enthusiasts of Danish modernist jewellery and silverware.
Hans Olsen
Hans Olsen (1919-1992) was a prominent Danish furniture designer known for his contributions to mid-century modern design. He played a significant role in shaping the aesthetic of Danish furniture during the mid-20th century. He was was born on July 3, 1919, in Denmark and studied at the Royal Danish Academy of Fine Arts, School of Design in Copenhagen, where he honed his design skills and developed an appreciation for craftsmanship and materials.
He began his career as a designer in the 1940s and worked with several prominent Danish furniture manufacturers and collaborated with companies like Frem Røjle and CS Møbler, producing some of his most iconic pieces during this time. Hans Olsen is best known for his innovative and iconic furniture designs and two of his notable creations are the "Balloon Chair" (1955); characterized by its playful, organic shape, which resembles a balloon and the "Fried Egg Chair" (1956) which earned its name due to its unique shape, which resembles a fried egg. It is a lounge chair with a circular seat and backrest. He also designed a range of dining tables and chairs, often featuring elegant and minimalist designs.
Hans Olsen's designs were influential in the mid-century modern movement, and his work continues to be celebrated for its timeless appeal and innovative use of materials.
Hans Stern
Hans Stern was a prominent Brazilian jewellery designer and entrepreneur who is best known for founding H. Stern, one of the world's leading luxury jewellery brands. Born on October 1, 1922, in Essen, Germany, Stern moved to Brazil with his family in 1939 to escape the growing persecution of Jews in Nazi Germany.
In 1945, shortly after the end of World War II, Hans Stern founded H. Stern in Rio de Janeiro, Brazil. Initially, the company focused on importing and selling precious stones. However, Stern soon recognized the potential of Brazil's abundant gemstone resources and decided to establish his own manufacturing and design facilities.
Stern's vision was to create unique jewellery pieces that showcased the beauty of Brazilian gemstones. He began collaborating with local miners and artisans, exploring Brazil's rich variety of gemstones, including tourmalines, aquamarines, topazes, and amethysts. By incorporating these colourful gemstones into his designs, Stern brought a fresh and vibrant aesthetic to the world of high-end jewellery. The brand's jewellery collections became highly sought after, attracting a loyal customer base that included celebrities, royalty, and influential individuals worldwide.
Hans Stern's dedication to excellence extended beyond design. He invested in cutting-edge technology and established a vertically integrated production process, which ensured precise control over every stage of jewellery manufacturing. This commitment to quality earned H. Stern a reputation for impeccable standards and positioned the brand as a leader in the industry.
Stern's entrepreneurial spirit also led him to explore new markets and expand H. Stern's presence globally. The company opened stores in major cities around the world, including New York, Paris, Tokyo, and London. Today, H. Stern is recognized as a symbol of Brazilian luxury and has continued to thrive under the leadership of the Stern family.
Over his lifetime, Hans Stern received prestigious awards, such as the French Legion of Honor and the Lifetime Achievement Award from the Gemological Institute of America.
Hans Stern passed away in 2007.
Harald Nielsen
Harald Christian Nielsen (20 July 1892 – 22 December 1977) was a Danish designer of silver for Georg Jensen. The younger brother of Georg Jensen's third wife, he joined the company at 17 as a chaser's apprentice but later became one of the company's leading designers in the 1920s and 1930s and Jensen's closest colleague.
Nielsen's father died when he was one year old and his mother then moved the family to Copenhagen. His eldest sister, Johanne, married Georg Jensen in 1907. In 1909, Nielsen began an apprenticeship as a chaser in his brother-in-law's silver workshop. The company paid for his drawing lessons with Carl V. Meyer.
Nielsen quickly rose through the ranks at Georg Jensen, becoming a designer in 1918. His early designs were influenced by the Art Nouveau movement, but he soon developed his own distinctive style, which was characterized by its simplicity and geometric forms. He was particularly interested in the relationship between form and function, and his designs were often inspired by nature.
Nielsen's most famous design is the pyramid flatware pattern, which was introduced in 1927. The pyramid pattern is characterized by its simple, geometric shapes and its use of contrasting finishes. It is one of the most popular flatware patterns in the world and is still in production today. Nielsen also designed a wide range of other objects for Georg Jensen, including jewellery, tableware, and decorative objects. His work is characterized by its clean lines, elegant proportions, and use of high-quality materials.
Nielsen was a highly influential figure in the Danish design movement and was a member of the Danish Arts and Crafts Society and the Danish Academy of Fine Arts. He was also awarded the Eckersberg Medal, the highest honour in Danish art, in 1953. Nielsen died in Hellerup, Denmark, in 1977. His work is represented in the collections of major museums around the world, including the Museum of Modern Art in New York City and the Victoria and Albert Museum in London.
Hard Paste Porcelain
Hard paste porcelain is true porcelain made of china stone and kaolin. The formula has been known by the Chinese since 800BC, but was kept secret until the early 1700s when a chemist at the Meissen factory discovered it, and the formula has since become known throughout the west.
Hardstone
Hardstone is not a scientific name for a particular gemstone, but a word used to describe any one or more semi-precious stones used in jewellery and decorative arts, and can include jade, agate, onyx, rock crystal, amber, jet and carnelian. Softer stones and minerals such as soapstone, and alabaster and hard stones used in building such as marble or granite are generally excluded.
Hardware
A general term applied to the metal fittings on an item of furniture, such as locks, hinges and handles. Whilst most furniture will usually have brass hardware as it does not rust, some earlier rustic objects such as coffers sometimes have iron hardware.
Hardy Bros.
Hardy Brothers, is a prominent Australian jewellery and silverware company founded in 1853 in Brisbane, by Englishman John Hardy. The company moved to Sydney in in 1855 and then established branches in Brisbane, and in Melbourne in 1918. The company is known for producing high-quality pieces, including silverware, jewellery, and timepieces. Hardy Brothers was one of the largest jewellery retailers in Australia and became a trusted name in the industry. In 1929, Hardy Brothers were appointed jewellers by royal warrant to His Majesty King George V. They were also known for their exceptional craftsmanship and innovation, particularly in the design of their silverware. The business remained with the Hardy family until 1974, after which ownership changed several times until it was taken over by jewellers and silver retailers Wallace Bishop founded in 1917. Under the control of Wallace Bishop, Hardy Brothers is still trading under their name with stores in Sydney, Brisbane, Gold Coast and Perth.
Harewood
Harewood is a fine-grained, dense, and light-coloured wood that comes from the sycamore tree, a type of maple tree, that has been dyed silvery grey with iron oxide. The wood is highly prized for its beautiful appearance and its durability, which makes it ideal for use in furniture making, cabinetry, and decorative objects.
The wood has a pale colour with a slight pinkish or reddish hue, and it has a very smooth surface that can be easily polished to a high shine. The wood has a straight grain that is sometimes slightly wavy, and it has a fine, uniform texture.
Harewood is often used for inlay work or as a decorative veneer on furniture, where its subtle grain pattern and pale color can create a beautiful contrast with other darker woods. It is also used for making musical instruments such as pianos, as its density and fine grain can produce a rich, clear sound.
Harewood
Harewood is sycamore which has been stained a green colour and is used in veneer form as an inlay.
Harlequin
The Harlequin is a character from the Italian commedia dell'arte, a form of theatre typified by characters wearing masks, and acting out unscripted performances. There are corresponding characters in the French and Spanish theatre.
In dress, he is characterised by his hat, mask, and colourful diamond-pattern tunic.
Columbine is the mistress of Harlequin, and the wife of Pierrot.
Harlequin Set
A "harlequin set" or "matched set" of chairs, is a set in which the chairs are similar, but not identical in design and construction, as in a true set. At a time when complete sets of chairs are increasingly difficult to find, dealers often have to rely on assembling a matched set from various sources. The world 'Harlequin' derives from the Italian comedy figure who traditionally wears a diamond-patterned costume. It is sometimes used to describe a pattern of inlay in this design.
Harlequin Set
A harlequin set is a collection of items that are similar in style or design but feature different variations in colour, construction or pattern. The term "harlequin" comes from the traditional costume worn by a character in Italian commedia dell'arte, which is made up of different coloured patches.
For example with furniture, a harlequin set may refer to a group of chairs, typically dining chairs, where a number of the chairs are identical in design but one or more of the chairs may have a difference in the design of the leg or back. Harlequin sets can be found in silver flatware, porcelain dinner settings and glassware settings.
Harrach Glass
The Harrach glass factory is located in Harrachov, a small town in what was Northern Bohemia, but is now the Czech Republic, near the Polish border. It has been producing glass since 1712, with peak production in the 1850s. In the 19th century, their output was so widely regarded that a large part of their business was selling glass blanks (undecorated glass) to other major Bohemian glass manufacturers.
Harrods, London
Harrods is a department store located in Knightsbridge, London, England. It is one of the most famous and luxurious department stores in the world, and it is known for its wide range of products, its high level of customer service, and its iconic exterior.
The history of Harrods dates back to 1824, when Charles Henry Harrod opened a grocery store in the Borough of Southwark, London. The store was a success, and Harrod eventually expanded it to sell a wider range of goods. In 1849, Harrod moved the store to its current location in Knightsbridge.
Harrods continued to grow and expand throughout the 19th century. In 1861, Harrod's son, Charles Digby Harrod, took over the business and oversaw its transformation into a department store. Under his leadership, Harrods introduced new departments, such as a food hall, a furniture department, and a toy department. Harrods also began to offer a wider range of services, such as a travel agency and a bank. In 1883, a fire destroyed much of the Harrods building. However, the store was rebuilt within a year, and it emerged even grander than before. The new Harrods building was designed by architect Charles William Stephens, and it featured a distinctive red brick exterior with white stone detailing.
Harrods continued to grow and prosper in the 20th century. In 1919, the store opened a new wing that was designed by architect John Belcher. The new wing featured a grand staircase and a large dome, and it quickly became one of the most popular attractions at Harrods. In 1985, Harrods was purchased by Egyptian businessman Mohamed Al-Fayed. Al-Fayed invested heavily in the store, and he oversaw a number of renovations and expansions. Al-Fayed also introduced a number of new initiatives, such as a Harrods magazine and a Harrods hotel. In 2010, Harrods was sold to Qatar Holding, a sovereign wealth fund from Qatar. The Qatari owners have pledged to continue investing in Harrods and to maintain its reputation as one of the world's leading department stores.
Harrods is a major tourist destination in London, visited by millions of people each year, and it is a popular spot for celebrities and other high-profile individuals. Harrods is also a popular choice for shoppers looking for luxury goods, and it is home to a wide range of brands, including Gucci, Prada, and Louis Vuitton.
Harrop & Neill
Harrop & Neill was a silver and jewellery manufacturer and retailer founded in Dunedin, New Zealand, in 1893 by George Harrop and John Neill. The firm quickly established itself as a leader in the New Zealand silver industry, producing high-quality silverware and jewellery that was both stylish and affordable.
Harrop & Neill's early success was due in part to its innovative designs, which were often inspired by the natural beauty of New Zealand. The firm's products were also popular for their high quality and craftsmanship. Harrop & Neill's silverware was made from sterling silver, which is a silver alloy that is 92.5% pure. The firm's jewellers were highly skilled and experienced, and they used a variety of techniques to create beautiful and intricate pieces of jewellery.
Harrop & Neill's products were sold throughout New Zealand and also exported to Australia and other countries. The firm's silverware was particularly popular with tourists, who would often purchase souvenirs from Harrop & Neill's flagship store in Dunedin.
In the early 20th century, Harrop & Neill expanded its product range to include watches, clocks, and other gift items. The firm also began to produce more modern designs, which were influenced by the Art Deco movement.
Harrop & Neill continued to be a successful business until the mid-20th century, when it began to face increasing competition from foreign companies. The firm also struggled to adapt to changing consumer tastes. In 1960, Harrop & Neill was acquired by another Dunedin-based company, Walker & Hall.
Harrop & Neill continued to produce silverware and jewellery under the Harrop & Neill brand until 1993, when the Walker & Hall factory in Dunedin closed.
Harry Bertoia
Harry Bertoia (1915–1978) was an American artist and designer who is best known for his furniture designs, particularly his wire mesh chairs. Bertoia was born in Italy and immigrated to the United States in the 1930s, where he began working as a designer and metalworker. He is considered one of the most important figures of the American Mid-century modern design movement.
Bertoia began experimenting with wire mesh in the early 1950s as a material for chair seating, believing that the transparency and flexibility of the material would create a more comfortable and ergonomic chair. From this experimentation, he created his most famous design, the Bertoia Side Chair, which features a sculptural, wire mesh seat and backrest supported by a simple metal frame. The chair was first produced by the Knoll furniture company in 1952 and is still in production today.
Bertoia's designs are known for their simplicity, elegance and use of industrial materials. His work continues to be highly regarded and respected by designer, artist and architects, and his works are included in the permanent collections of many major museums, including the Metropolitan Museum of Art, Museum of Modern Art and the Smithsonian American Art Museum.
Harry Goldman
Harry Goldman was born in Bristol, England. Little is known of his early life before he established his first business as a cabinet maker and designer in Melbourne in 1901 with D. Bernard in Central Melbourne. In 1928 he moved to Chapel Street South Yarra trading as H. Goldman Pty. Ltd. The business specialised in custom made furniture of the highest quality made exclusively in Australian timbers.
His work was often ornate and finely carved as seen in a commemorative table for the Australian War Memorial in Canberra. He exhibited a mountain ash sideboard at the Panama Pacific exhibition in San Francisco in 1915 for which he won a gold medal. He also won a gold medal at the Australian Federal Exhibition in Melbourne in 1903 and a bronze medal at the British Empire Exhibition in Wembley in 1903 he also manufactured furniture to the designs of Walter Burley Griffen for the cafe Australia in Melbourne in 1915 and for the residents of the artist Napier Waller in 1935.
Harry Goldman passed away in 1939
Harry Tittensor
Harry Tittensor was born in Burslem in 1887, and was apprenticed at Doulton & Co aged 13, and trained at the Burslem School of Art, At Doulton, he worked as a sculptor and painter. He left Doulton & Co in 1925 to work as a painter and taught at various schools of art.
He painted landscapes and figures in both watercolour and oils and became a member of the Royal Institute of Painters in Watercolours in 1931. Much of his work was exhibited and sold by the Fine Art Society in London. He also exhibited at the Royal Academy. A picture entitled “The Bird Shop, San Malo”, exhibited by the Royal Institute of Painters in Watercolours in 1932, was bought by the Queen. Harry Tittensor died age 55 in 1942.
Harry Winston
Harry Winston was an American jeweller and watchmaker who was born on March 1, 1896, in New York City. He was known as the "King of Diamonds" and was one of the most prominent figures in the jewellery industry during the 20th century.
Winston's interest in gems started at a young age when he would visit pawnshops to examine jewellery. In 1920, he opened his first jewellery store in New York City and began to build a reputation for himself as a diamond expert. He would often acquire diamonds that had previously been owned by royalty or wealthy individuals, such as the Hope Diamond, which he purchased in 1949.
Throughout his career, Winston became known for his exceptional craftsmanship and the quality of the gems he used in his jewellery. He was also known for his innovative designs, which incorporated new techniques and styles. One of his most famous designs was the "Cluster" setting, which was a unique way of arranging diamonds to make them appear larger than they actually were.
In addition to his work in jewellery design, Winston was also an innovator in the watch industry. He created the first wristwatch with a retrograde display, which showed the time in a circular arc rather than a traditional linear display. He also developed the concept of the "dual-time" watch, which allowed travellers to keep track of the time in two different time zones.
Winston's jewellery was worn by many famous figures, including Marilyn Monroe, Elizabeth Taylor, and Jacqueline Kennedy Onassis. His company, Harry Winston, Inc., continues to be a leading jewellery and watch retailer to this day. Winston passed away in 1978, but his legacy as a master jeweller and watchmaker lives on.
Harvest Jugs
Harvest jugs were manufactured between the 17th and 20th centuries, and were reputedly used to transport beverages to the farm labourers in the fields, or alternatively to hold and dispense beverages at a harvest festival. They are decorated with naive motifs such as animals, flowers, birds, and ships. The original jugs were decorated by scratching through a layer of slip when almost dry to reveal the contrasting body colour beneath. However in the Victorian era, the decoration was embossed (raised above the surface). Most frequently seen are the the two colour Royal Doulton harvest jugs, the upper section in a deep chocolate brown and the lower section of a light tan, often with sterling silver rims. Other Victorian manufacturers include Copeland Spode, Clarice Cliff and Wedgwood.
Harvey School
Lewis James Harvey was an Australian educator and founder of
the Harvey School in Brisbane. Born in 1864 in Ipswich, Queensland, Harvey
began his career as a teacher at Ipswich State School in 1883. He went on to
teach at several other schools in Queensland before founding the Harvey School
in Brisbane in 1917.
The Harvey School was initially established as a
co-educational institution, with a focus on providing a well-rounded education
that emphasized academic excellence, physical fitness, and moral values. Harvey
was a firm believer in the importance of physical education, and the school's
curriculum included a range of sports and physical activities, such as
gymnastics, swimming, and cricket.
Under Harvey's leadership, the Harvey School became one of
the most respected and successful private schools in Brisbane. The school's
graduates went on to achieve success in a wide range of fields, including
business, politics, and the arts.
Some of the notable artists and potters who worked at the
Harvey School include:
·
Mervyn Feeney: Feeney was a painter and
printmaker who worked at the Harvey School during the 1940s and 1950s. He was
known for his vibrant and colorful depictions of the Australian landscape.
·
Col Levy: Levy was a painter and ceramicist who
worked at the Harvey School during the 1950s and 1960s. He was known for his
abstract paintings and his innovative use of glazes in his ceramics.
·
Milton Moon: Moon was a ceramicist who worked at
the Harvey School during the 1950s and 1960s. He was known for his unique and
experimental approach to ceramics, which often incorporated unconventional
materials and techniques.
·
Joe Furlonger: Furlonger was a painter who
attended the Harvey School as a student in the 1960s. He went on to become a
leading figure in the Australian art world, known for his vivid and evocative
depictions of the Australian landscape.
·
Peter Rushforth: Rushforth was a ceramicist who
attended the Harvey School as a student in the 1950s. He went on to become one
of Australia's most celebrated potters, known for his elegant and minimalist
designs.
In addition to his work at the Harvey School, Harvey was
also involved in various other educational initiatives throughout his career.
He was a member of the Queensland Teachers' Union and served as president of
the Queensland Headmasters' Association. He also played a key role in the
establishment of the Brisbane School of Arts, which provided vocational
training for young people.
Harvey retired from the Harvey School in 1931, but remained
active in the field of education until his death in 1942. He is remembered as a
pioneering educator who believed in the power of education to transform lives
and communities. The Harvey School, which continued to operate under different
ownership until 1965, remains an important part of Brisbane's educational
history.
Hat Pins
Hat pins, usually from 10 to 30 cm long, were in use from about 1880s to the 1920s to anchor ladies' hats to their hair. For collectors, the interest lies in the heads. As to the pin, values are enhanced if the pin was made of silver and gold rather than steel. Other technical innovations also add value, such as swivel joints and point-protectors. Heads varied from plain glass to jewels, wood to porcelain, and there were novelty hat-pins which incorporated peep-scopes with scenic views and hat-pins where the head was a huge lightweight sphere.
Haviland & Co.
Haviland & Co. the French manufacturer of porcelain and fine china was founded by David Haviland, an American businessman, in 1842, in Limoges, France. At that time, Limoges was known for its excellent kaolin clay, which was ideal for making high-quality porcelain. David Haviland recognized the potential of this clay and decided to start a porcelain and pottery factory in Limoges. He imported machinery and equipment from the United States and assembled a team of skilled artisans and workers from the local area.
The early years of Haviland & Co. were marked by its commitment to quality and innovation. David Haviland was a pioneer in the field of porcelain and experimented with new glazes, designs, and firing techniques. He also established relationships with artists and designers, who helped create unique and beautiful patterns and styles. One of the most famous and enduring designs of Haviland & Co. is the "Gardenia" pattern, which was created in the 1870s. This pattern features delicate white flowers on a pale green background and has been a favourite of collectors and customers for over a century.
Over the years, Haviland & Co. has continued to innovate and evolve. It has introduced new patterns, styles, and colours, while also preserving the traditional craftsmanship and techniques that have made it one of the most respected and admired manufacturers of fine china in the world.
Haviland & Co. remains family-owned and operated, and its products are sold in over 60 countries worldwide.
Hay
HAY is a Danish design company known for its contemporary furniture, accessories, and lighting. Founded in 2002 by Rolf Hay and Mette Hay, along with their business partner Troels Holch Povlsen, HAY has become a prominent player in the world of modern Scandinavian design. While HAY itself is a relatively young company, it draws inspiration from the rich tradition of mid-century Danish furniture design and collaborates with both established and emerging designers to create innovative and affordable products.
HAY's designs draw heavily from the mid-century Danish modern design movement, which emerged in the mid-20th century. This period was marked by clean lines, simplicity, and a focus on functionality and craftsmanship. Designers like Arne Jacobsen, Hans Wegner, and Børge Mogensen are some of the iconic figures from this era who continue to inspire HAY's designs. As well, HAY collaborates with a wide range of designers, both established and up-and-coming, to create its products. Some notable designers who have worked with HAY include Ronan and Erwan Bouroullec, Hee Welling, and Stefan Diez.
Over the years, HAY has expanded its global presence, with flagship stores and retailers carrying its products in cities around the world. This expansion has contributed to the brand's international recognition and appeal.
Hay has quickly become one of the most popular furniture brands in the world. Its products are sold in over 60 countries and have been featured in magazines such as Wallpaper* and Architectural Digest.
Heal & Co.
Heal & Co. was established in London 1810 as a feather dressing factory by John Harris Heal, and in 1818 opened a store in Tottenham Court Road trading as general furnishers.
The business expanded and by the time John Harris Heal's great grandson, Ambrose Heal (1872-1959) joined in 1893, it was one of the largest stores in London.
Ambrose Heal published a catalogue entitled 'Heal's Plain Oak Furniture' in 1898 displaying oak furniture in a cheaper Arts & Crafts style enhanced by ebony and pewter decoration with the oak sometimes darkened by smoking.
The business stayed with the family until 1983 when it was purchased by designer and businessman Sir Terence Conran, and became part of the Storehouse Group. The recession in the late 1980s led to a management buyout which revitalised the company. There was a further change in ownership in 2001 when the business was acquired by Wittington Investments Limited, Heals is still trading from Totenham Court Road at the present time.
The best known member of the Heal family is Ambrose Heal (1872-1959) who was an important patron of the Arts & Crafts movement.
He joined the firm in 1893 and extended its business to include the full range of interior furnishings. he favoured simple well designed furniture that appealed to the emerging middle classes.
He supported upcoming Arts & Crafts designers and co-founded the Design & Industries Association in 1915, which campaigned for "Fitness for Purpose" in industrial production
Heal & Son
The furniture company Heal & Son was founded in 1810 in London by John Harris Heal. The company quickly gained a reputation for its high-quality furniture and innovative designs and became one of the leading furniture manufacturers of the early 19th century in Britain. At that time, Heal & Son specialised in producing furniture that was simple and functional, but also elegant and stylish. They produced a range of furniture, including bookcases, cabinets, chairs, and tables, using traditional woodworking techniques and high-quality materials.
One of the keys to the success of Heal & Son was their willingness to embrace new trends and technologies. In the 1850s, they began to experiment with furniture made from machine-cut components, which allowed them to produce furniture faster and more efficiently. They also began to incorporate new design elements, such as the use of Japanese and Chinese motifs, which were popular in the Victorian era.
Throughout the 19th and early 20th centuries, Heal & Son continued to grow and innovate, expanding their product line and opening new stores throughout London. They also collaborated with some of the leading designers of the time, including E.W. Godwin, who designed furniture for Heal & Son in the Aesthetic style.
Heal & Son's commitment to quality and innovation earned them numerous awards and accolades, including a Gold Medal at the Great Exhibition of 1851 in London. They also supplied furniture to some of the most prestigious institutions in Britain, including the Houses of Parliament and the Royal Family.
Heal's was run as a family business designing, manufacturing and selling furniture, applied arts, interior decorating and household goods until 1983, when new owners took over and since then has had several changes in ownership. However they are still operating from their Tottenham Road premises where they have been since 1913.
Hector Guimard
Hector Guimard (1867-1942) was a French architect and designer who is best known for his Art Nouveau architectural designs, particularly the Paris Metro stations. He also designed a number of decorative objects, including lighting fixtures, in his characteristic organic and flowing style. Guimard's mid-century lighting designs typically featured curvilinear forms and intricate metalwork, often incorporating glass shades in organic shapes. One of his most famous lighting designs is the "Grande Lampe," a large floor lamp that features a tall, twisting metal stem with a flower-like shade at the top. His lighting designs are considered to be important examples of Art Nouveau design.
Hecworth
Hecworth was a brand created in the 1930s by Platers Pty. Ltd. to produce silver-plated tableware and other household items. In May 1949, Platers Pty Ltd merged with Rodd (Australia) founded in 1919, manufacturers of silver and jewellery and in 1960 the combined company merged with Mytton Ltd, forming Mytton Rodd (Australia) Ltd.
Hecworth silver plate was popular in Australia during the mid-20th century. The products were known for their high quality and affordable prices. Hecworth silverplate was often used as wedding gifts and other special occasions. Hecworth silver-plated items are typically marked with the Hecworth brand name and the words "silver plate". The items may also be marked with the date of manufacture.
The Hecworth brand was discontinued in the 1990s
Helen Mason
Helen Wilmot Mason MNZM (née Valentine; 1915 - 2014) was a New Zealand potter as well as the co-founder and editor of the New Zealand Potter magazine for which she also wrote. She was appointed to the New Zealand Order of Merit, for services to pottery, in 2005.
She was born in Darfield in 1915, and grew up in Wellington. She became engaged to Malcolm Mason in 1938, and the couple married the following year. Helen Mason took up pottery in 1953, attending classes and purchasing a kiln. Over the next few years she met and worked with other New Zealand artists including potters Olive Jones, Barry Brickell, Len Castle and Doreen Blumhardt, and painter Colin McCahon, and by 1957 had exhibited and sold her first pot. In 1958, she and Blumhardt co-founded New Zealand Potter magazine, which Mason edited for nine years.
In the early 1960s Mason separated from her husband and became a full-time potter, moving to the Wait?kere Ranges, then ?t?ne in Hawke's Bay and, in 1974, Tokomaru Bay. I
She was awarded the Queen Elizabeth II Arts Council Creative New Zealand Craftsmanship Award in 1977 and in the 2005 New Year Honours she was appointed a Member of the New Zealand Order of Merit, for services to pottery. Works by Mason are held in the permanent collection of the Dowse Art Museum.[6]
Mason died in 2014, aged 99.
Hellenistic
The Hellenistic period is a period in ancient Greek history
that began after the death of Alexander the Great in 323 BCE and lasted until
the Roman conquest of Greece in 146 BCE. It is named after the Greek word
"Hellenistic," which means "to imitate Greeks."
During the Hellenistic period, the Greek world expanded
beyond the boundaries of Greece and encompassed the territories conquered by
Alexander the Great, including Egypt, Persia, and parts of India. The period
was marked by a fusion of Greek culture with the cultures of these conquered
territories, resulting in a diverse and cosmopolitan society.
The art and architecture of the Hellenistic period were
marked by a new sense of realism and individuality. Artists and architects
experimented with new techniques and styles, and the incorporation of new
materials such as bronze and glass. A number of the best-known works of Greek sculpture belong to this period, including Laocoon and his Sons, Venus de Milo, and the Winged Victory of Samothrace.
Hemara Hemara
Hemara Hemara is a New Zealand potter of M?ori descent. He was born in 1938 in Auckland, and began his pottery career in 1963. He has worked in a variety of styles, including functional pottery, decorative pottery, and M?ori-inspired pottery. His work is known for its bold colors and shapes, and its use of M?ori motifs.
Hemara has won numerous awards for his pottery, including the Portage Ceramic Award in 1978 and 1980. He has also exhibited his work in solo and group exhibitions throughout New Zealand and Australia.
Hemara is a member of the New Zealand Potters' Association and the Titirangi Pottery Club. He is also a past president of the New Zealand M?ori Arts and Crafts Institute.
Hemara is still actively working as a potter, and his work is held in collections around the world.
Henning Koppel
Henning Koppel (1918-1981) was a Danish sculptor and designer, best known for his contributions to the world of Scandinavian modernism in the mid-20th century. Born in Copenhagen, Koppel began his artistic training at the Royal Danish Academy of Fine Arts, where he studied under the renowned sculptor Einar Utzon-Frank.
After completing his studies, Koppel began working for the Georg Jensen silver company in 1945, where he designed a range of household items, including cutlery, candlesticks, and tableware. Koppel's designs were characterized by their sleek, minimalist forms and their emphasis on functionality and simplicity.
Koppel's work for Georg Jensen quickly gained international recognition, and he went on to create designs for a range of other companies, including Louis Poulsen lighting, which he began working for in 1947. Koppel's designs for Louis Poulsen included a range of lamps and lighting fixtures, which were characterized by their elegant, organic forms and their use of innovative materials, such as acrylic and other plastics.
Koppel's work was highly influential in the world of Scandinavian modernism, and his designs were regarded as some of the most innovative and forward-thinking of his time. His work earned him numerous awards and honours, including the Lunning Prize in 1950 and the Milan Triennale Gold Medal in 1957.
In addition to his work as a designer, Koppel also continued to create sculpture throughout his career, often using the same minimalist and organic forms that he used in his design work. His sculptures are highly sought after by collectors today and can be found in museums and galleries around the world.
Henning Koppel's work is widely regarded as some of the most important and influential of the mid-20th century.
Henningsen, Poul
Poul Henningsen (1894–1967) trained as an architect in Copenhagen but specialized in lighting design. Employed by Louis Poulsen in 1924 he developed a three shade lamp known simply as the PH lamp. This hanging lamp, still in production today was joined by table, floor and wall lamps, with the PH lamp becoming a household name and to this day remaining one of the finest incandescent lamps. At his death in 1967 Poul had designed more than 100 lamps including the classic PH5.
Henri Lechesne
Henri Lechesne was a French sculptor born in Paris in 1869. He studied at the École des Beaux-Arts in Paris, where he was a student of Auguste Rodin. Lechesne is best known for his sculptures of animals, which are characterized by their realism and their sense of movement. He also created a number of portrait sculptures, as well as a few religious works.
Lechesne's early work was influenced by Rodin, but he soon developed his own style. His sculptures are characterized by their smooth, flowing forms and their attention to detail. He often used a technique called "patination" to give his sculptures a rich, metallic finish. His most famous sculpture is "The Seagull," which was created in 1900. The sculpture depicts a seagull surfing on a wave, and it is considered one of the most iconic works of animal sculpture of the 20th century. Lechesne also created a number of other notable sculptures, including "The Horse," "The Lion," and "The Bull."
Henri Lechesne died in Paris in 1924.
Henry Newman
Henry Newman was a Latvian-born jeweller who was active in Melbourne, Australia, in the late 19th and early 20th centuries. He was born in Riga around 1829 and arrived in Melbourne in 1852. He was one of Melbourne's best-known jewellers of the period, and his shop was located at 175 & 177 Elizabeth Street.
Newman was known for his high-quality jewellery and silver wares, which were made from both local and imported materials. He specialised in opal jewellery, which was a popular gemstone in Australia at the time. Newman's jewellery was often featured in the pages of The Argus newspaper, and he was awarded a number of prizes for his work.
In addition to his retail business, Newman was also a manufacturer of jewellery. He had a workshop in Melbourne where he produced a wide range of jewellery, including rings, brooches, necklaces, and earrings. Newman's jewellery was exported to other countries, including the United Kingdom, the United States, and New Zealand.
Newman died in Melbourne in 1913 and his business was continued by his son, Harry Newman.
Henry Walter Klein
Henry Walter Klein was a Norwegian-born mid-century modern furniture designer. He was born in Oslo in 1919 and studied mathematics and linguistics at the University of Oslo. After graduating, he served in the Norwegian Royal Marines.
In 1949, Klein moved to Denmark to study furniture design at the Tekniske Skile in Frederikberg. There, he trained under the prominent Danish designer and architect Finn Juhl. After finishing school in 1952, Klein returned to Norway to establish his own furniture and interiors business. He became a member of the Norwegian Society of Craftsmen and Designers and in 1959 was awarded the Lunning Prize, an international design award given to young Scandinavian designers from 1951 to 1970.
Klein's furniture is characterized by its clean lines, simple forms, and use of natural materials. He was particularly fond of teak, and many of his pieces feature this wood. Klein's designs are also known for their comfort and functionality.
Klein was a prolific designer, and his work was produced by a number of manufacturers, including Bramin, Norgaard, and Kai Kristiansen. His furniture is now highly sought-after by collectors and enthusiasts of mid-century modern design.
Klein died in San Francisco in 1991. His work is included in the collections of the Museum of Modern Art, the Victoria and Albert Museum, and the National Museum of Norway and his legacy continues to inspire designers and collectors around the world.
Henry Winkelmann
Henry Winkelmann (1860-1931) was a prominent late 19th-century New Zealand photographer known for his remarkable contributions to the documentation of New Zealand's landscape and cultural heritage. He was born on January 1, 1860, in Magdeburg, Germany, and later moved to New Zealand with his family when he was a child.
In his early years, Winkelmann developed an interest in photography and soon established himself as a skilled practitioner of this art form. He initially worked as an assistant to several established photographers in New Zealand, learning various techniques and refining his skills.
In 1887, Henry Winkelmann opened his own photography studio in Auckland, New Zealand, specializing in landscape and portrait photography. His early works primarily focused on capturing the natural beauty of New Zealand's rugged landscapes, majestic mountains, and picturesque coastlines. He ventured into the country's remote and challenging terrains, lugging heavy camera equipment to capture stunning images of the wilderness.
One of Winkelmann's most significant achievements was his involvement in documenting the construction of the iconic engineering marvel, the Otira Tunnel. Completed in 1923, this tunnel carved through the Southern Alps, significantly improving transportation between Canterbury and the West Coast. Winkelmann's photographs of this ambitious project not only showcased his technical prowess but also served as valuable historical records of the engineering feat.
Aside from his landscape photography, Henry Winkelmann also excelled in portraiture. He captured images of prominent New Zealanders, Maori leaders, and notable figures of his time, leaving behind a visual record of the people who shaped the country during the late 19th and early 20th centuries.
Henry Winkelmann was actively involved in the photographic community. He served as a founding member and officer of the New Zealand Professional Photographers' Association (NZPPA) and contributed to the advancement of photography as a respected art form. Henry Winkelmann continued his photography work until his death on December 5, 1931. His legacy lives on through his extensive body of work, which has become an invaluable visual archive of late 19th-century New Zealand.
Hepplewhite Style Chairs
The shield back chair is a design attributed to Hepplewhite with the back shaped like a shield often accompanied by a wheat sheaf or Prince of Wales feathers motif in the splats.
Hepplewhite Style Chairs
The shield back chair is a design attributed to Hepplewhite with the back shaped like a shield often accompanied by a wheat sheaf or Prince of Wales feathers motif in the splats.
Heraldic Decoration
Heraldic decoration on silver, glass, and porcelain refers to the use of coats of arms and other heraldic symbols as decorative motifs on these materials. Coats of arms were traditionally used to identify individuals, families, and institutions, and were often displayed on shields, banners, and other objects.
The heraldic decoration typically takes the form of engraved or etched designs that incorporate coats of arms or other heraldic symbols. Heraldic decoration on silver, glass, and porcelain has a long history, dating back to the medieval period when coats of arms were first used. During the Renaissance and Baroque periods, heraldic decoration on decorative objects became increasingly elaborate and ornate, with finely detailed designs that often incorporated intricate scrollwork, mythological figures, and other decorative motifs.
In the 18th and 19th centuries, heraldic decoration became particularly popular among the aristocracy and upper classes, who used these objects as symbols of their wealth and status.
Herati Design in Persian Carpets
The Herati design has been used in Persian carpet weaving for centuries and is considered a classic. It consists of a repeating pattern of a central diamond or rhombus, surrounded by four curled leaves or petals, with a small flower or rosette in each of the four corners.
The design is sometimes also referred to as the fish pattern, due to the resemblance of the curled leaves or petals to fish, or as the mahi pattern, which means "fish" in Persian. It is believed to have originated in the Herat province of Afghanistan, which was a major centre of carpet weaving in the 19th century.
In addition to its aesthetic appeal, the Herati design also has symbolic significance. The central diamond or rhombus is often interpreted as representing the fish's eye, while the curled leaves or petals represent fish, water, or vegetation. The small flowers or rosettes in the corners are thought to symbolize the four seasons or the four elements.
Herbert George Ponting
Herbert George Ponting was a photographer and a member of the Terra Nova Expedition, which was led by Captain Robert Falcon Scott to the South Pole in 1910-1913. Ponting was born on March 21, 1870, in Salisbury, Wiltshire, England, and grew up in Australia.
Ponting's interest in photography began in the early 1890s, and he became a professional photographer in 1895. He worked in a variety of photographic fields, including portrait and landscape photography, but he is best known for his work documenting the Terra Nova Expedition.
Ponting was responsible for recording the day-to-day activities of the expedition, including the scientific work, the sledging journeys, and the life of the crew on board the ship. He also took many photographs of the Antarctic landscape, including the wildlife and the ice formations.
Ponting's photographs of the Terra Nova Expedition are considered some of the most important and enduring images of the Antarctic. They were published in a number of books and journals, including "The Great White South" and "The Heart of the Antarctic."
After the expedition, Ponting continued to work as a photographer, but he never returned to Antarctica. He died on February 7, 1935, in London, England, at the age of 64.
Hereford Fine China
Hereford Fine China (Australasia) Ltd. was a firm based in Hamilton, New Zealand producing decorative items in bone china. The business was formed in association with the parent company, Hereford Fine China Ltd of Ledbury, England. This firm was established by Rick Lewis after he had trained as a ceramic artist at Royal Worcester. The New Zealand operation began production in November 1977, and in 1981 Rick Lewis moved the whole business to New Zealand.
The company specialised in the production of figures of small birds, horses and other livestock and hand painted plates, jusg and other kitchen ware. In 1992 Rick Lewis moved to Ireland, and the firm now trades as Hereford Fine China International Ltd.
Hereke Carpets
Hereke, located in the province of Kocaeli in northwestern Turkey is renowned for its historic Hereke carpets, which are considered among the finest examples of Turkish carpet weaving.
The tradition of carpet weaving in Hereke dates back to the early 19th century, when the Ottoman sultan Mahmud II established a royal carpet workshop in the town. The workshop was staffed by skilled weavers who had been brought to Hereke from various parts of the Ottoman Empire, and they were tasked with creating carpets for the sultan's palace.
The Hereke carpets produced during this period were renowned for their exceptional quality and craftsmanship, with intricate designs and finely woven details. They were made from the finest materials, including silk and wool, and were often embellished with gold and silver thread.
The tradition of carpet weaving in Hereke continues, with many skilled weavers having set up their own workshops in the town. The carpets are still made using traditional methods and materials, with many of the designs and techniques passed down through generations of weavers.
Herend Porcelain Factory
The Herend Porcelain Factory is a Hungarian porcelain manufacturer that has been producing fine china for over 180 years. It was founded in 1826 in the small village of Herend, located in western Hungary, by Vince Stingl, a Hungarian ceramicist.
Initially, the factory produced simple household ceramics such as bowls and plates, but from 1839 when it commenced manufacture of fine porcelain, it gained a reputation for its high-quality, hand-painted porcelain wares. The factory was recognized for its exquisite artistry and soon became a supplier to the Habsburg court in Vienna.
In 1851, Herend exhibited its porcelain at the Great Exhibition in London, which led to international acclaim and a commission to create a dinner service for Queen Victoria with a butterfly and floral pattern. This became known as the Victoria pattern. The Queen was so impressed with the quality and beauty of the porcelain that she ordered a second service, and Herend's reputation as a leading porcelain manufacturer was firmly established.
Throughout the late 19th and early 20th centuries, Herend continued to produce luxurious and exquisite porcelain pieces, catering to an international clientele. During World War II, the factory was temporarily closed and its production shifted to military needs. After the war, the factory resumed production and continued to thrive under communist rule.
In the 1990s, following the fall of communism, the Herend Porcelain Factory was privatized and has since expanded its product range to include modern designs, while still maintaining the traditional techniques and artistry that have made its porcelain so highly regarded.
Herend porcelain is sold in over 60 countries and is recognized as one of the world's leading luxury porcelain brands. The factory continues to produce its porcelain pieces entirely by hand, using the same traditional methods that have been passed down through generations of artisans.
Heriz Carpets
The history of carpet weaving in Heriz, located in the northwest of Iran can be traced back to the early 19th century, when the town began producing simple, coarse rugs that were used for household purposes. These early rugs were made with local wool and dyed with natural dyes.
By the mid-19th century, the Heriz carpet began to gain popularity in the Western markets, especially in Europe and the United States. European and American buyers were drawn to the bold and distinctive designs of the Heriz carpet, which were quite different from the intricate and delicate designs of the Persian rugs that were being produced in other regions.
One of the most significant developments in the history of Heriz carpet manufacture was the introduction of the Gorevan knot, also known as the Heriz knot, in the mid-19th century. This knot allowed weavers to create larger, bolder designs with greater speed and efficiency, which helped to increase the popularity of the Heriz carpet even further.
During the early 20th century, Heriz carpet production suffered due to the political and economic turmoil in Iran, but the industry rebounded in the mid-20th century with renewed interest from the Western markets. Today, Heriz carpets are still produced using traditional methods and materials, and they are highly sought after by collectors and enthusiasts around the world.
Herman Miller Inc.
Herman Miller Inc. is an American furniture company that is known for producing iconic designs and innovative furniture for both residential and commercial spaces. The company was founded in 1905 in Zeeland, Michigan by Herman Miller, who began producing high-quality furniture with an emphasis on craftsmanship and durability.
In the early years, Herman Miller primarily produced traditional wood furniture, but the company began to evolve in the mid-20th century after hiring designer George Nelson, who became the company's design director in 1945. Nelson's influence on Herman Miller led to the production of some of the company's most iconic and recognizable designs, such as the Marshmallow sofa, the Coconut chair, and the Ball clock.
In addition to George Nelson, Herman Miller also worked with other leading designers of the mid-century modern era, including Charles and Ray Eames, Alexander Girard, and Isamu Noguchi. Together, these designers helped to establish Herman Miller as a leading producer of modern furniture, and their designs continue to be highly prized by collectors and enthusiasts around the world.
In the 1970s and 1980s, Herman Miller expanded its focus to include the design and production of office furniture, which helped to further establish the company's reputation for innovation and quality. During this time, the company also embraced a more sustainable approach to manufacturing, which included using recycled materials and reducing waste in the production process.
Herman Miller continues to be a leader in the furniture industry, producing a wide range of products for both residential and commercial use, working with leading designers to create innovative and functional furniture that is both beautiful and durable.
Herman, Sam
Sam Herman was born in 1936 in Mexico City.
He studied at Western Washington State College, Bellingham,
USA, and University of Wisconsin.
A Fullbright scholarship took him to Britain where he worked at the Edinburgh College of Art.
During 1967-8 he was a Research Fellow at the Royal College of Art, London, and the following year was Visiting Lecturer at Stourbridge College of Art
In 1969 he also established 'The Glass House', Covent Garden, London.
In 1974, after four years as tutor in charge of the Glass Department, School of Ceramics and Glass, Royal College of Art, London, he came to Australia and established a glass workshop for the South Australian Craft Authority in Adelaide.
In 1978, while retaining consultant status with the Jam Factory, he built his own workshop in Adelaide.
In 1980 he returned to England and established a workshop in London, where he worked until 1990. In 1983 he became an honorary member of the Royal College of Art, London.
He established a studio in Spain in 1992 and since then has focussed on creating paintings, architectural glass commissions, sculpture and stained glass and lighting pieces from his studios in London and Spain
Hermannsburg Painters and Potters
Hermannsburg is a small Aboriginal community located in the Northern Territory of Australia. The community is famous for its rich history of watercolour painting and ceramic art, which has been passed down through generations of Aboriginal artists.
The tradition of watercolour painting at Hermannsburg began in the late 1800s, when Lutheran missionaries introduced the medium to the local Aboriginal people. The missionaries encouraged the Aboriginal people to use watercolours to document their culture and way of life, and the resulting artworks were exhibited in galleries across Australia and Europe.
One of the most famous watercolour artists to emerge from Hermannsburg is Albert Namatjira, who was born in the community in 1902. Namatjira's landscapes and portraits of local people were widely celebrated for their unique style and beauty, and he became the first Aboriginal artist to gain widespread recognition in Australia and overseas. Today, his works are highly sought after by collectors and are considered some of the most important examples of Australian art.
In addition to watercolour painting, Hermannsburg is also known for its tradition of ceramic art. In the 1970s, the community began producing pottery using traditional techniques, and the resulting works were sold at galleries and exhibitions across Australia. The pottery was made using local clay and decorated with intricate designs inspired by Aboriginal culture and art.
Today, the watercolour painting and ceramic art traditions at Hermannsburg continue to thrive, with many local artists continuing to create works that are celebrated around the world. The community is home to several galleries and cultural centres where visitors can learn more about these rich artistic traditions and see works by some of the most talented Aboriginal artists in Australia.
For a fuller last of the prices of art and ceramics produced at Hermannsburg and sold at auction please visit our associated site, Australian Art Sales Digest (www.aasd.com.au) which is searchable by artist.
Hermes
Hermès is a French luxury goods manufacturer that was founded in 1837 by Thierry Hermès. Originally, the company specialized in crafting high-quality harnesses and saddles for horses.
In the late 19th century, Hermès expanded its product line to include leather bags and accessories, such as handbags and wallets. In the 1920s, the company introduced its first fashion line, which included women's clothing and accessories.
Over the years, Hermès became known for its iconic products, such as the Kelly bag, named after actress and princess of Monaco Grace Kelly, who famously used the bag to shield her pregnant belly from the paparazzi, and the Birkin bag, named after actress Jane Birkin, who collaborated with the company to design the bag in the 1980s.
Hermès also gained a reputation for its craftsmanship and attention to detail, with each product made by hand and taking dozens of hours to complete. The company's artisans are highly skilled in techniques such as leatherworking, weaving, and silk printing, and many have been with the company for decades.
In addition to its leather goods and fashion products, Hermès also offers a range of other luxury items, such as fine jewellery, watches, and home furnishings. The company is also known for its scarves, which feature intricate designs and are made from high-quality silk.
Hermès is one of the world's most iconic luxury brands, with stores in cities around the world and a loyal following of customers. The company remains majority family-owned and operated, with descendants of Thierry Hermès still involved in its management.
Herringbone Link in Jewellery
The herringbone link is a jewellery chain pattern that is named after the distinctive V-shaped pattern that it creates, resembling the bones of a herring fish. It is a popular and classic design that has been used in various types of jewellery, including bracelets, necklaces, and earrings.
The herringbone link is characterized by its tightly woven pattern, which features rows of thin, flat metal links that are arranged in a crisscross or zigzag pattern. The links are typically angled at 45 degrees, creating a distinctive "V" shape that gives the chain its unique appearance.
One of the defining features of the herringbone link is its flexibility, which allows it to drape smoothly and conform to the curves of the wearer's body. This makes it a popular choice for jewellery that is meant to be worn close to the skin, such as necklaces and bracelets.
Chains with the herringbone link are typically made from precious metals such as gold or silver, but it can also be crafted from other materials such as stainless steel or even nylon. The width and thickness of the links can vary depending on the desired look, with wider links creating a bolder and more dramatic effect.
Herringbone Link in Jewellery (component)
The herringbone link is a jewellery chain pattern that is named after the distinctive V-shaped pattern that it creates, resembling the bones of a herring fish. It is a popular and classic design that has been used in various types of jewellery, including bracelets, necklaces, and earrings.
The herringbone link is characterized by its tightly woven pattern, which features rows of thin, flat metal links that are arranged in a crisscross or zigzag pattern. The links are typically angled at 45 degrees, creating a distinctive "V" shape that gives the chain its unique appearance.
View further examples of Herringbone Link in Jewellery (component)
Herringbone Pattern in Furniture
The herringbone pattern is a popular decorative pattern used in furniture, created by inlaying small rectangular pieces of veneer in a zig-zag pattern, similar to the pattern found in the herringbone link used in jewellery. The pieces of veneer are cut at a 45-degree angle to create the distinctive V-shape, and are arranged in a way that creates a seamless, interlocking pattern.
The herringbone pattern in veneer can be used in a variety of ways in furniture design. It is commonly used on table tops, cabinet doors, and other flat surfaces, where it can add visual interest and texture to the piece. It can also be used on curved surfaces, such as the front of a chest of drawers or the top of a curved console table, where it can create a dramatic and eye-catching effect.
Hicks & Meigh
Hicks & Meigh were Staffordshire stoneware manufacturers during the early 1800s. The business was founded by Job Meigh (of Meigh pottery) and Richard Hicks around 1805 at Shelton in Staffordshire. In 1822 they became a partnership, comprising Hicks, Meigh and Thomas Johnson. In 1835 despite having 600 employees, production ceased when the partnership was dissolved
High Chair
A tall chair designed especially for children sitting at the table. There are several varieties. One of the most interesting, though uncommon, versions is the small elbow chair standing on a low table, to which it is attached by thumbscrews. A bar across the front prevents the child from falling out and when not in use the piece can be dismantled and used as a separate table and chair. These versions date from the early 19th century and a few Australian made examples have survived.
Most chairs, however, were similar in design to standard parlour chairs, though with longer legs and a cross piece for the child to put its feet on. As a rule, most 19th century high chairs were made to stand at normal table-height and the separate fold-up tray was not introduced until towards the end of the century. There are some quite remarkable high chairs made by American manufacturers during the Edwardian period on the same principle as the embossed spindle back chair. These pieces are not only high chairs, but convert to perambulators, strollers, and even rocking chairs.
It is important to distinguish between high chairs made for children and the tall office stools and chairs, often made from bentwood, on which innumerable Bob Cratchits scratched a miserly living at their clerk's desks, the victims of many Scrooges and high Victorian 'humbug'.
Hille & Co.
Hille & Co. was a prominent British furniture manufacturer, established in London in 1906 by Salamon Hille. The company's early success was based on the production of high-quality Art Deco furniture, which was very popular in the early 20th century. The company was known for its innovative designs, which incorporated new materials such as chrome and Bakelite. The company's products were widely used in public buildings, including hotels, restaurants, and offices, and were considered symbols of modernity and sophistication.
In the 1930s, Hille & Co. began to produce a range of steel and aluminum furniture, which was both lightweight and durable. This type of furniture became especially popular during World War II, as it was used in military and government buildings. After the war, Hille & Co. continued to innovate, producing a range of modular furniture systems that could be configured in different ways to suit different spaces. The company's designs were widely imitated, and Hille & Co. furniture was sold in many countries around the world.
British furniture designer Robin Day worked for Hille & Co. during the 1950s and 1960s. Day was widely regarded as one of the most important designers of the mid-20th century, and his designs for Hille & Co. helped to define the company's aesthetic during that period. One of Day's most famous designs for Hille & Co. is the Polypropylene chair, which was introduced in 1963. The chair was made from a single piece of injection-molded plastic and was both lightweight and durable. The design was revolutionary at the time, and the polypropylene chair is now considered a classic of modern furniture design.
Day also designed a range of other chairs for Hille & Co., including the 675 chair, which was introduced in 1952. The 675 chair was made from bent plywood and featured a distinctive curved backrest. The chair was designed for use in public spaces, and it quickly became one of Hille & Co.'s best-selling products. In addition to chairs, Day also designed a range of tables, storage units, and other pieces of furniture for Hille & Co. Many of these designs were based on modular systems, which could be configured in different ways to suit different spaces.
In the 1960s, Hille & Co. faced increasing competition from cheaper, mass-produced furniture, and the company struggled to maintain its position in the market. In 1971, the company was acquired by the furniture manufacturer Herman Miller, which continued to produce Hille & Co. designs under the Hille name.
Hirado Porcelain
Japanese Hirado porcelain ware originated in the early 17th century in Hirado, a located in Nagasaki prefecture in southwestern Japan. Hirado ware is known for its distinctive blue-and-white color scheme, which is similar to the blue-and-white porcelain produced in China during the same period.
Hirado ware was initially produced for use in the tea ceremony, which was a highly ritualized practice in Japan during the 17th century. The porcelain was prized for its fine quality and delicate beauty, and it quickly gained popularity among Japanese aristocrats.
During the late 17th and early 18th centuries, Hirado ware became popular in Europe and it was exported to countries such as the Netherlands, Portugal, and England. It was collected by wealthy merchants and aristocrats., where it was highly valued for its rarity and beauty. Hirado porcelain was exported to countries such as the Netherlands, Portugal, and England, where it was collected by wealthy merchants and aristocrats.
Hirado ware is characterized by its white porcelain body, which is usually decorated with blue underglaze. The designs on Hirado porcelain are typically inspired by nature, and they often feature depictions of flowers, birds, and landscapes. The porcelain is fired at a high temperature, which gives it a hard, durable finish.
In the 19th century, Hirado ware fell out of fashion in Japan, and production declined significantly. However, in the 20th century, there was renewed interest in Hirado porcelain, and several artists began to produce new works in the traditional style.
Hiroe Swen
Hiroe Swen was born in Kyoto, Japan in 1934. In the late 1950s she studied at the Kyoto Crafts Institute and for five years under the Master Potter Zenko Yasuda. She met her future husband Cornel in the mid-sixties and together they migrated to Australia in 1968. Hiroe Swen first exhibited in Australia in that year in Melbourne and since then has exhibited extensively in Australia and internationally.
In 2016, Hiroe-san was awarded The Order of the Rising Sun, Gold and Silver Rays by the Government of Japan for her contribution to the promotion of Japanese culture and mutual understanding between Japan and Australia.
Her work is represented in the collections of the Australian National Gallery and all State Art Galleries, Auckland Museum, Powerhouse Museum Sydney, as well as major collections across the world.
His Masters Voice
"His Master's Voice", abbreviated HMV is a trademark in the music business, the image coming from a painting of the same name by English artist Francis Barraud. The American rights to the picture were purchased about 1899 by the Victor Talking Machine Company founded by the inventor of the gramophone, Emile Berliner after the painting had been modified to show the dog named "Nipper" listening to one of Victor Talking Machine Company's gramophones.
Further capitalising on the logo, an additional trademark, "Little Nipper" was later registered and used for children's records and radios.
Ownership of the HMV trademark was transferred through a number of companies in the music business during the 20th century including RCA (Radio Corporation of America) and EMI.
Barraud, the artist died in 1924 and the painting is now in the public domain, although the trademark is still valid.
His Masters Voice (hmv)
His Master's Voice (HMV) is a brand name used by a number of different companies, but it originated with the British Gramophone Company in the early 20th century. The company was founded in 1897 by William Barry Owen and Trevor Williams, and it quickly became one of the leading manufacturers of gramophones and phonographs in the world.
In 1902, the company began using the trademark of a dog listening to a gramophone, which became known as the "His Master's Voice" (HMV) logo. The image was based on a painting by Francis Barraud, which he created after seeing his dog Nipper listening intently to a gramophone. The HMV logo became one of the most recognizable trademarks in the world and was used by the company for decades.
Throughout the 1920s and 1930s, HMV continued to produce high-quality gramophones and phonographs, as well as radios and other audio equipment. The company also expanded into the production of film and music recordings, with a catalog that included everything from classical music to popular songs.
During World War II, HMV faced significant challenges as production was disrupted by the war effort. The company was also impacted by the rise of new audio technologies, such as magnetic tape and vinyl records, which began to replace the older shellac-based discs that HMV had produced for decades.
Despite these challenges, HMV continued to be a leading manufacturer of audio equipment throughout the mid-20th century. The company introduced new products such as high-fidelity (hi-fi) systems in the 1950s and 1960s, which helped to keep it at the forefront of the audio industry.
However, in the later decades of the 20th century, HMV faced increasing competition from other audio companies, as well as from new forms of entertainment such as television and video games. The company eventually went bankrupt in 2018, although it was later revived under new ownership.
Today, the HMV brand continues to be associated with high-quality audio equipment, and the iconic "His Master's Voice" logo remains a beloved symbol of the history of recorded music.
Hmss / Hms / Hm
An abbreviation for "hallmarked sterling silver".
Ho Ho Bird
The ho ho bird is a mythological bird of the East, that in appearance is a composite of many birds including the head of a pheasant, the body of a mandarin duck and the tail of a peacock.
It is used as a decorative motif in both European and Eastern furnishings and decorative arts, especially on ceramics and as part of the carved frame of mirrors.
Hochst Pottery and Porcelain
The Hochst pottery and porcelain factory was founded in 1720 in Hochst, a town near Frankfurt in Germany. The factory was established by Johann Friedrich Bottger, a renowned alchemist and ceramicist who is credited with discovering the formula for making hard-paste porcelain in Europe.
Initially, the Hochst factory produced both pottery and porcelain, with the pottery being used to provide the necessary funds for the more expensive porcelain production. The porcelain produced by the factory was known for intricate decoration, which was often inspired by the Chinese and Japanese porcelain that was being imported into Europe at the time.
One of the most famous designs produced by the Hochst factory was the "Blue Onion" pattern, which was introduced in the 18th century. The pattern features a blue floral design on a white background, and it quickly became one of the most popular porcelain designs in Europe.
Throughout the 18th and 19th centuries, the Hochst factory continued to produce high-quality porcelain, which was highly prized by collectors and aristocrats throughout Europe. The factory's output included a wide range of objects, including vases, figurines, and dinnerware.
In the 20th century, the Hochst factory struggled to compete with cheaper, mass-produced porcelain from Asia, and production declined significantly. However, the factory continued to produce porcelain on a smaller scale, and today, the factory is still in operation, producing high-quality porcelain for collectors and enthusiasts around the world.
Hock Glass
Hock wine glasses are the only wine glasses that have a coloured bowl, usually pale gree or golden on a long stem. Usually wine glasses are made of clear glass so that the colour of the wine can be studied.
Hock was the name adopted by the British for German white wines, in the 17th century specifically from the Rhine region and later used to refer to any German white wine. The name "hock" was derived from the name of the town of Hochheim am Main in Germany.
Nowadays the term "hock glass" is applied loosely to wine glasses that have bowls of any colour, including multicoloured sets, often with wheel-engraved decoration.
Hoglund Art Glass
Höglund Art Glass is a New Zealand and Australian art glass company founded by Swedish glassblowers Ola and Marie Höglund in 1982. The company is known for its hand-blown glass sculptures, vessels, and tableware.
Ola Höglund was born in Sweden in 1945 and began his career as a glassblower in 1964. He studied at the Swedish Glass Institute and worked at several glass studios in Sweden before moving to New Zealand in 1982. Marie Simberg-Höglund was born in Finland in 1948 and studied at the Finnish Glass Institute. She worked as a glassblower in Finland and Sweden before moving to New Zealand in 1982.
Ola and Marie Höglund met in Sweden in 1972 and married in 1974. They worked together as a team at several glass studios in Sweden before moving to New Zealand in 1982. In New Zealand, they founded Höglund Art Glass in a converted dairy factory in Nelson. The company quickly gained a reputation for its high-quality hand-blown glassware.
In 1996, Höglund Art Glass opened a second studio in Sydney, Australia. The company has since expanded to include a showroom in Auckland, New Zealand, and a gallery in Melbourne, Australia. Höglund Art Glass is now one of the leading producers of hand-blown art glass in the Southern Hemisphere.
The company's work is internationally renowned and has been exhibited in galleries and museums around the world. Höglund Art Glass has also been commissioned to create works for a number of high-profile clients, including the New Zealand government, the Sydney Opera House, and the Olympic Games.
Ola and Marie Höglund are still actively involved in the company, and their two sons, Ossian and Oliver, are also glassblowers. Höglund Art Glass continues to produce innovative and beautiful glassware that is prized by collectors and enthusiasts around the world.
Höglund Art Glass has been in business for over 30 years and has earned a reputation for producing high-quality, hand-blown glassware.
Holland & Sons
Holland & Sons was a British furniture company that was founded in 1803 by Stephen Taprell and William Holland, a relation of the architect Henry Holland. The company was originally known as Taprell & Holland, but the name was changed to Holland & Sons in 1843 when William Holland took over the firm.
Holland & Sons quickly became one of the most successful furniture makers in 19th century England and was known for its high-quality craftsmanship and its use of luxurious materials, such as mahogany, rosewood, and ivory. Holland & Sons also produced a wide range of furniture styles, from traditional English to more modern and eclectic designs.
The company's success was due in part to its willingness to embrace new technologies and trends. Holland & Sons was one of the first furniture makers in England to use steam-powered machinery, and it also employed some of the country's most talented designers. Holland & Sons also exhibited its furniture at the major international exhibitions of the 19th century, which helped to raise the company's profile and attract new customers.
Holland & Sons produced furniture for a wide range of clients, including royalty, aristocracy, and wealthy merchants. The company's most famous clients included Queen Victoria, Prince Albert, and the Emperor of Austria. Holland & Sons also furnished many of the most prestigious homes in England, such as Buckingham Palace, Windsor Castle, and Chatsworth House.
Holland & Sons continued to produce high-quality furniture until the early 20th century. However, the company's fortunes declined after World War I, and it eventually ceased operations in 1942. Holland & Sons furniture can be found in museums and private collections around the world.
Hollow Cast
Hollow casting is a metalworking process used to create hollow objects such as sculptures, jewelry, and other decorative objects. It involves casting metal in a mould that has a cavity in the shape of the desired object.
The process of hollow casting has been used for centuries, and its invention is not attributed to a single individual. However, ancient civilizations such as the Egyptians and Greeks used this process to create metal objects. In modern times, hollow casting has been used by artists, jewellers, and manufacturers to create a wide range of objects.
The first step in hollow casting is to create a model of the object to be cast from materials such as clay, wax, or metal, and from this a mould is created around it using a material such as plaster, silicone, or rubber. A core is created inside the mold to create the hollow cavity of the final object and then molten metal is poured into the mould, filling the space around the core. The metal is then allowed to cool and harden.
Once the metal has cooled and hardened, the core is removed from the mold, leaving a hollow object which is then finished by removing any excess metal or imperfections and polishing or texturing the surface as desired.
Hollow casting is used to create a wide variety of objects, including sculptures, jewellery, decorative objects, and parts for machinery. The process allows for the creation of complex shapes and details, and can be used with a wide range of metals, including bronze, brass, silver, and gold. Hollow casting is also used in manufacturing to create components such as engine blocks and machine parts.
Hollow Stem
Some 18th century wine glasses had a hollow stem for collecting wine sediment, but now the hollow stem is sometimes incorporated into the design of champagne glasses to emphasise the effect created by the effervescence.
Hollywood Regency Style
The Hollywood Regency style in furniture originated in the 1930s and gained popularity in the 1940s and 1950s in Hollywood, California. It is characterized by a glamorous and luxurious look, combining traditional and modern elements. The style was heavily influenced by the Art Deco movement, with its emphasis on clean lines and geometric shapes, and the Regency period, with its use of luxurious materials and elaborate ornamentation.
Furniture in the Hollywood Regency style is often characterized by the use of high-gloss finishes, bold colours, and metallic accents, such as gold or silver leaf. Pieces are often oversized, with exaggerated curves or geometric shapes. Upholstery is often made of luxurious materials such as velvet, silk, or leather, and may feature bold patterns or metallic accents.
Mirrored surfaces are also a common feature of the Hollywood Regency style, reflecting light and adding to the sense of glamour and luxury. Other decorative elements may include tassels, fringe, or elaborate hardware.
The Hollywood Regency style was popularized by designers such as Dorothy Draper and William Haines, who created glamorous interiors for Hollywood celebrities and high-end hotels. The style remains popular among collectors and interior designers, who continue to incorporate its bold, luxurious aesthetic into contemporary spaces.
Holmgaard Glassworks
Holmegaard Glassworks is a Danish glass company founded in 1825 by Countess Henriette Danneskiold-Samsøe. The company is located in the town of Fensmark, in the Holbæk Municipality of Denmark.
The company was founded after Count Christian Danneskiold-Samsoe petitioned the Danish king for permission to build a glassworks at Holmegaard Mose ("Holmegaard Bog"). He died before permission was granted. But after his death when permission was finally received his widow, Countess Henriette Danneskiold-Samsøe pursued the project and began production in 1825 of green bottles, moving on to table-glass within its first decade.
Much of its early work was derivative and inconsequential, but between the 1930s and 1980s its fortunes were transformed by the designs of Jacob E. Bang (1899-1965), Per Lütken (1916-98), and Bang's son, Michael (1944-2002). Today the company is known for its high-quality products of Danish design.
In 1990, Holmegaard merged with the Danish ceramics company Bing & Grøndahl to form Royal Copenhagen. The new company is known as Royal Copenhagen/Holmegaard A/S and the company's products are sold in over 100 countries around the world.
Hood
In longcase clocks, the hood is the wooden case that surrounds the works and dial, and includes the glass front, which is usually hinged, so the door can be opened to wind the clock or adjust the time. In 18th and 19th century longcase clocks the hood usually slides forward for removal, allowing access to the works.
Hoof Foot
A hoof foot, resembling an animal's hoof was sometimes used at the termination of a cabriole leg.
Hoop Back
Used to describe the back of Windsor and other similar chairs where the back has a top rail bent around in the shape of a half-hoop.
Horikawa Toys
Horikawa was a Japanese toy company that was founded in 1946. The company was originally known for making tinplate toys, but in the 1960s, they began to focus on making toy robots. Horikawa's toy robots were some of the most popular in the world, and they were known for their high quality and realistic designs.
One of Horikawa's most popular toy robots was the "Rotate-o-Matic Super Astronaut." This robot was made of tinplate and had a rotating head and arms. It could also walk and shoot projectiles. The Rotate-o-Matic Super Astronaut was a huge hit with children in the 1960s, and it is still considered a collectible today.
Other notable toy robots that Horikawa made in the 1960s and 70s include the Astro Boy (1963), the Battle Robot (1965), the Space Robot (1969), Jet Robo (1970): and the Walking Robot (1972) which was one of the most advanced toy robots of its time.
Horikawa's prominence began to decline in the late 1970s as tastes in toys shifted, and electronic games and video game consoles gained popularity. The company faced increased competition from other manufacturers and struggled to adapt to the changing market. By the 1980s, Horikawa largely ceased production of toy robots, and the company eventually faded into obscurity.
Horikawa's toy robots were a product of their time, and are a reminder of a time when people believed that the future would be filled with robots.
Horn
Full horns were used for making drinking vessels and powder horns. A number of larger horns or antlers could be combined together to make furniture and decorative items such as chairs and lamps.
As a material, horn was formerly used in all types of objects such as snuff boxes, lanterns, musical instruments, items for personal grooming, cutlery handles, walking sticks. Some items of horn are finely decorated with silver or mounted in silver.
Hornbill
Oriental antique descriptions occasionally refer to "hornbill" or "hornbill ivory" as the material from which the object is made. In fact the hornbill is a large bird, the helmeted hornbill, found in a few South-East Asian countries, and the name is also applied to the material obtained from a growth on the upper section of the beak of the bird, known as a casque.
In its natural form it is a yellow colour, but when the hornbill rubs its beak while preening its feathers, the growth turns a red colour.
As well as being used as a carving material in areas where the bird is found, hornbill became popular as a carving medium with the Chinese in the 19th century, and it was prized (and priced) ahead of ivory and jade.
The helmeted hornbill is listed in Appendix 1 of CITES, (Convention on International Trade in Endangered Species) meaning that trade in hornbill objects requires import and export permits.
the s natural ivory from the bird, native to Indonesia. The hornbill is now an endangered species, but due to the apparent age of the jewelry, this item would be legal for trade. Hornbill ivory is not a true ivory as it is not a dentine material, but rather a keratin. Hornbill ivory of this nature was often carved from the lower layer of the hornbill casque for the western market. The upper area, with a strong red coloration, was traded to the Eastern market. The upper areas of these pieces yet show some of the red coloring. The rest is in the strong yellowish color of natural hornbill.
Hornby
Frank Hornby (1863-1936) the inventor of 'Meccano' was also responsible for the introduction in about 1915-20 of the clockwork train sets that bear his name.
Electric powered Hornby trains first appeared in 1925. The Hornby trademark was used until 1940 when all construction of Hornby trains was halted with the onset of World War II.
Production of the toy trains resumed in 1946, though in the immediate post-war years, a general shortage of raw materials restricted production. Hence, new toy trains items were not introduced until the early 1950s.
By the late 1950s, when construction of plastic toys begun, sales began to decline, and in 1965, Hornby was taken over by Tri-ang (Lines Brothers), who incorporated some items from the Hornby line into its catalogue.
Horsehair
Horsehair fabric is a woven textile made from the mane and tail hair of horses, used in upholstery in the 19th century, when it was a staple of high-end furniture production.
The hair is collected from horses by grooming or clipping the mane and tail. It is then washed and sorted, with longer strands usually reserved for the warp (lengthwise) threads and shorter ones for the weft (crosswise) threads. The horsehair is then spun into yarn and woven into a durable, tightly-woven fabric with a distinctive texture. Horsehair fabric has a natural lustre and is known for its resilience and durability, making it an ideal material for upholstery.
Hour Striking / Half Hour Striking
An hour striking clock chimes on the hour to indicate the time. The striking mechanism consists of a series of gears and hammers that are set in motion by the clock's movement and are designed to strike a bell or gong to mark the passing of time.
An hour striking clock will strike once on the first hour, twice on the second hour, and so on, up to twelve strikes at noon and midnight. In a half hour striking clock, the clock will strike once on the half hour, and the number of strikes on the hour corresponds to the number of hours passed since the previous half hour.
House of Trifari
The House of Trifari was founded in 1910 by Gustavo Trifari, a goldsmith from Naples, Italy. Trifari immigrated to the United States in 1904 and settled in New York City. He began his career as a jewellery designer for other companies, but he soon decided to start his own business. His early designs were influenced by the Art Nouveau movement and was characterized by its use of delicate filigree work and intricate details. Trifari's jewellery was also made with high-quality materials, such as gold, silver, and gemstones.
In the 1920s, Trifari began to experiment with new materials and techniques. He was one of the first jewellery designers to use Diamante, a type of glass that mimics the appearance of diamonds and he also began to use new metals, such as rhodium and palladium, in his jewellery. Trifari's jewellery became popular among fashionable women and his designs were worn by celebrities such as Coco Chanel, Greta Garbo, and Marlene Dietrich. Trifari's jewellery was also featured in major fashion magazines such as Vogue and Harper's Bazaar.
In 1930, Trifari hired Alfred Philippe, a talented French jewelry designer who had previously worked for prestigious jewelry houses such as Van Cleef & Arpels and Cartier. Philippe's influence led to the creation of some of Trifari's most iconic pieces. Also in the 1930s, Trifari patented a new metal alloy he named Trifanium, which was resistant to tarnish and corrosion. Trifanium jewellery was also very affordable, which made it popular during the Great Depression of the 1930s. Trifari continued to produce high-quality costume jewellery throughout the 20th century. His designs were always ahead of the curve, and he was one of the most influential jewellery designers of his time.
Howard & Sons, London
Howard & Sons was a British furniture manufacturer based in London that was founded by John Howard in 1820. The company became known for their high-quality upholstered furniture and is often associated with the Victorian era.
In the mid-19th century, John Howard's son, James, took over the business and expanded it to include a larger workshop and more employees. From the 1860s the company made furniture by Arts & Crafts designers, as well as its own range. The company became known for its innovative designs and use of new materials, such as coil springs and horsehair stuffing.
Howard & Sons became one of the most respected furniture makers in England, producing pieces for royalty, aristocrats, and other wealthy clients. They were known for their comfortable and well-made sofas and armchairs, which were often covered in luxurious fabrics like velvet and silk.
Howard & Sons continued to operate throughout the 20th century, with a change in ownership in 1947, but with changing tastes and the rise of modernism, resulted in the company ceasing to trade. In 1967 a new company, Howard Chairs Ltd commenced trading in London producing upholstered furniture based on the original Howard patents and designs.
Huanghuali Wood
Huanghuali is the most sought-after timber used in the construction of Chinese furniture because of its fine colour and grain.
During Ming and early Qing dynasties, most of the best furniture was made from huanghuali wood.
It is a member of the rosewood family and over time the surface mellows to a yellowish brown tone with the exposure to light.
In recent years, furniture made from huanghuali wood has increased exponentially in value.
Hughan, Harold
Harold Randalph Hughan was born in Mildura, Victoria, in 1893 and educated at Hamilton in the Western District of Victoria.
At the outbreak of World War I in 1914 he joined the Australian Infantry Forces as an apprentice engineer and spent from 1916 to 1918 with Australian troops in France. At the end of the war he pursued further training as an engineer in England and returned to Australia in 1920.
Previously interested in the crafts of weaving and woodworking, in the early 1940s Hughan became involved in his wife’s and son's attempts at pottery, his knowledge as an engineer enabling him to build and refine the kilns they used.
Hughan's early efforts were influenced by the advice of F. E. Cox (‘Jolliffe') another amateur Melbourne potter. Becoming fascinated by the collection of Chinese ceramics in the National Gallery of Victoria and guided by, among others, Bernard Leach‘s A Potters Book published in 1940, he soon began to use the wheel, making experiments in stoneware that were far in advance of any other Australian pottery of the time.
Hughan held his first exhibition in 1950 at the gallery in Georges, the Melbourne department store. That exhibition marked him as a most important Australian potter, a reputation that his second exhibition in 1968 confirmed and magnified.
In 1970 the National Gallery of Victoria honoured Hughan with a retrospective exhibition. His commitment to useful objects, possessing an honest dignity and refinement makes Hughan outstanding amongst Australian potters.
Harold Hughan died in 1987.
Hugo Boss
Hugo Boss is a German fashion house and brand headquartered in Metzingen, Baden-Württemberg, Germany. The company sells clothing, accessories, footwear, and fragrances. Hugo Boss is one of the largest German clothing companies, with global sales of €2.9 billion in 2019. Its stock is a component of the MDAX.
The company was founded in 1924 in Germany by Hugo Ferdinand Boss and originally produced general-purpose clothing. With the onset of the Great Depression and the rise of Nazism in the early 1930s, Boss began to produce uniforms for the the Nazi Party, the Hitler Youth, and the SS. Boss was an early member of the Nazi Party and a supporter of Adolf Hitler. He used forced labor from concentration camps to produce uniforms for the Nazi organizations. After World War II, Boss was convicted of war crimes and forced to pay reparations.
Despite Boss's Nazi past, the company was able to rebuild itself after the war. In the 1960s, Hugo Boss began to produce men's suits and other tailored clothing. The company also began to expand its international presence. Hugo Boss became a global fashion brand in the 1980s and 1990s. The company launched its first fragrance, Boss Bottled, in 1984. Hugo Boss also began to sponsor motorsports and other high-profile events. In the 1990s the brand introduced various sub-labels, including Hugo and Boss Orange, to cater to different segments of the market.
Hugo Boss is one of the most popular and successful fashion brands in the world. The company's clothing is known for its classic style and high quality. Hugo Boss also produces a wide range of accessories, including shoes, handbags, and watches. The company has faced criticism for its Nazi past, but it has taken steps to address this issue. Hugo Boss has apologized for its role in the Nazi regime and has donated money to Holocaust charities. The company has also established a foundation to promote tolerance and understanding.
Despite its Nazi past, Hugo Boss is now a respected and successful fashion brand. The company's clothing is worn by celebrities and fashion enthusiasts all over the world.
Hugo Lonitz & Co.
Hugo Lonitz was a German ceramic artist and potter who worked in the 19th and early 20th centuries. He was born in 1846 in Wittenberg, Germany, and began his career as an apprentice in a pottery workshop in nearby Berlin. He later worked for a number of different ceramics firms before starting his own workshop in 1879 in the city of Königsberg (now Kaliningrad, Russia).
His workshop gained a reputation for producing high-quality, ornate ceramics, including vases, jardinières, and other decorative pieces. He was particularly known for his use of bright, colourful glazes and his intricate relief decorations, which often featured naturalistic motifs such as flowers, leaves, and insects.
Lonitz's ceramics were exhibited at international exhibitions, including the 1893 World's Columbian Exposition in Chicago, where they received widespread acclaim. His work was also sold in high-end department stores and luxury boutiques throughout Europe and America.
In addition to his own ceramics, Lonitz also collaborated with other artists and manufacturers to create pieces that were sold under their own names. He worked with the Prussian ceramics firm of Ernst Bohne & Söhne, for example, to produce a line of porcelain figurines and other decorative items.
After Lonitz's death in 1910, his workshop continued to operate under the direction of his son, Ernst Lonitz. The workshop produced ceramics until the outbreak of World War II, when it was destroyed during the bombing of Königsberg.
Hukin & Heath
Hukin & Heath were a Birmingham based manufacturing silversmiths and electroplaters.
Founded by Jonathan Wilson Hukin and John Thomas Heath in 1855, the firm entered its first mark in Birmingham in 1875 and then a mark in the London Assay Office in 1879. Their manufacturing premises were based in Birmingham and their showrooms were based in Charterhouse Street in London.
In 1881 Jonathan Hukin retired and John Heath entered into partnership with John Hartshorne Middleton in 1886. Their trademark of a bird with spread wings is often found on their electroplated goods.
They are best known for their silverware produced in the 1870s and 1880s much of which was produced to the designs of Dr. Christopher Dresser, Dresser is renowned as “the father of industrial design” because he was able to design utilitarian artefacts for the general public that were able to be produced using the latest mass production techniques. The firm first presented Dresser designs in their showrooms in 1879 and the designs went on to be adopted by other companies such as Minton, Elkington, Coalbrookdale and Wedgwood.
Hukin & Heath also made unusual domestic items such as wares mounted on elephant tusks and monkey cruet stands. They also supplied other well known retailers such as Dobsons of Piccadilly and Asprey & Co.
In 1904 the business was converted into a limited liability company under the style Hukin & Heath Ltd. The firm went out of business in 1953.
Hulihee
A Hulihee is a type of beard distinguished by its fat chops connected at the moustache.
Hummel Figures
Figures with cherubic grins and blushed cheeks you would just love to pinch, how could anyone not fall in love with the adorable little figures of boys in lederhosen and girls with pigtails that are known as 'Hummels'?
M I Hummel figures are produced by German porcelain manufacturer W Goebel Porzellainfabrik ('Goebel').
The figures are based on the caricatures of Maria Innocentia ('Berta') Hummel- an extremely talented German art student who went on to became a nun.
Hummel figures have been produced by Goebel since 1935 and production continues today. All figures are readily identified by the engraved script MI Hummel trademark somewhere on the figure, usually on the base rim.
The ownership of the designs and approval of production of all figures, still rests with the estate of Maria Innocentia Hummel (deceased) and the Convent of Siessen, even through to current releases.
Hunt & Roskell
Hunt & Roskell, were a firm of manufacturing and retail jewellers and silversmiths, founded in 1843 by Robert Roskell a famous pocket watch maker from Liverpool, and John Samuel Hunt who had previously been in partnership with silversmith Paul Storr, trading Storr & Co. (1819-22), Storr & Mortimer (1822-38), Mortimer & Hunt (1838-43) and then Hunt & Roskell (1843-97).
Hunt & Roskell had retail premises at 156 New Bond Street and a manufacturing workshops at 26 Harrison Street, near Clerkenwell.
They were among the finest of the Victorian silversmith, manufacturing in the high Victorian style, and their craftsmanship was recognised by their appointment as silversmiths and jewellers to Queen Victoria.
John Samuel Hunt continued as a partner until his death in 1865, when he was succeeded by his son, John Hunt (d.1879). Robert Roskell remained in the firm until his death in 1888. In 1889 the firm was taken over by J.W. Benson and continued in business as Hunt & Roskell Ltd until c.1965.
Hunt & Roskell
Hunt & Roskell was a renowned jewellers and silversmiths on Bond Street in London who for many years held the Royal Warrant of Queen Victoria. The firm was the successor to the celebrated silversmith Paul Storr who had left Rundell, Bridge & Rundell to set up his own workshop on Harrison Street near Clerkenwell in 1819.
A couple of years later he went into partnership with John Mortimer and began trading from 13 New Bond Street as Storr & Mortimer. In 1826 they took an additional partner, John Samuel Hunt, who brought a welcome investment capital of £5,000 with him. The firm was increasingly successful and in 1838 they moved to new premises at 156 New Bond Street settling in just prior to the retirement of Paul Storr at the end of December that same year. This prompted a name change to Mortimer and Hunt which the business operated under from 1839 until 1843 when John Mortimer retired and the name changed one again, this time to Hunt & Roskell. At this time the partners were John Samuel Hunt, his son John Hunt, Robert Roskell Jn. (son of the respected pocket watch maker Robert Roskell from Liverpool) and Charles Frederick Hancock.
Hunt & Roskell's commitment to excellence earned them several prestigious commissions and royal warrants. They were appointed as jewellers and silversmiths to Queen Victoria, and later, to Queen Alexandra and King Edward VII. They exhibited at the Great Exhibition held in 1851 at the Crystal Palace in London’s Hyde Park where they were noted for the splendour of their display, reputedly worth a total of £100,000. Further exhibitions followed both at home and abroad including New York in 1853 and Paris in 1867. In addition to their silver-making activities, Hunt & Roskell also operated as luxury retailers, offering a diverse range of jewellery and luxury goods. Their flagship store was located at 156 New Bond Street in London, a prime location for attracting high-profile customers. As the years went by, the firm underwent some changes in ownership and name. In 1897, after the retirement of Robert Roskell, the business was renamed R. S. Hunt & Roskell. Eventually, it merged with another esteemed jewellery and silver firm, J.W. Benson, in 1898, forming Hunt & Roskell, late Storr & Mortimer.
Hunt & Roskell continued to operate under various names and ownership structures throughout the 20th century. It merged with other renowned firms, including Spink & Son and Garrard & Co. Ltd., and underwent several changes in leadership and location. It was acquired by J.W. Benson of Ludgate Hill who kept the name and continued trading under Hunt & Roskell until 1897 when it was converted into a limited company and styled Hunt & Roskell Ltd. which is how it remained until trading ceased towards the end of the 1960s.
Hunter
A hunter pocket watch is the type where the case includes a spring-hinged circular metal lid or cover, that closes over the glass face of the watch, protecting it from dust, scratches and other damage or debris. The majority of antique and vintage hunter-case watches have the lid-hinges at the 9 o’clock position, suiting the right handed user.
Huon Pine
Named after the Frenchman who discovered the Huon River in Tasmania, it is an extremely slow growing and long living tree. Huon pine is native to Tasmania, and it can grow to an age of 3,000 years or more. The wood contains oil that retards the growth of fungi, hence its early popularity in ship-building in convict-era Tasmania. The timber is a warm yellow colour, finely grained, and was popular for household furniture in the Victorian era. Interestingly, much Huon pine furniture was made in South Australia. Huon pine is a protected species and only limited quantities are available nowadays, for craftsmen to manufacture small items such as platters, sculptures and other decorative objects.
Husk Motif
The husk motif is a decorative element that has been used in furniture, silver, glass and ceramics decoration for centuries. The motif is typically based on the shape of the husk, or outer covering, of a nut or seed. It is often depicted as a series of overlapping, scalloped shells that create a textured, ornamental pattern.
In furniture, the husk motif is commonly used in the design of chair and table legs, as well as in the decoration of cabinet doors and drawer fronts. The motif is carved into the wood or other material, creating a three-dimensional effect that adds depth and visual interest to the piece.
In ceramics, the husk motif is used in a variety of ways, from the decoration of bowls and plates to the design of decorative tiles and other objects. The motif is often painted or carved into the surface of the clay, creating a relief pattern that adds texture and dimensionality to the piece.
The husk motif has been used in many different historical and cultural contexts, from ancient Greece and Rome to 18th-century France and England. It has been adapted and modified over time, with variations including the acanthus leaf and the palmette motif.
Hutch
A term without a strict definition, but generally used to describe a food or storage cupboard with doors in the top section, standing on legs with shelves below.
Hutschenreuther Porcelain
The Hutschenreuther porcelain factory was founded in Hohenberg an der Eger, Germany, in 1814 by Carolus Magnus Hutschenreuther. He had previously worked at the Wallendorf porcelain manufactory in Lichte (Wallendorf). Initially, the factory produced household porcelain items such as plates, cups and saucers, but over time they expanded their range to include decorative items such as figurines and vases. Carolus Magnus Hutschenreuther died in 1845 and the factory was run by his widow and two sons.
In 1857, Lorenz Hutschenreuther, the elder son of Carolus Magnus Hutschenreuther, established a porcelain factory in Selb. They expanded from 1902 to 1969 and were named Porzellanfabriken Lorenz Hutschenreuther AG Selb (Lorenz Hutschenreuther Porcelain Factories Company, Selb). In the late 19th century, the factory underwent significant changes under the leadership of Lorenz Hutschenreuther, who introduced new production techniques and designs. The company became known for its high-quality porcelain and received numerous awards at international exhibitions.
In the 1969 the two Hutschenreuther. factories factories merged and continued to produce porcelain items under the Hutschenreuther brand. However, in 2000, the company was sold to the Italian luxury goods group, Bormioli Rocco. Production of Hutschenreuther porcelain was centralised in Selb.
Hvidt, Peter
Peter Hvidt (1916–1986) born in Copenhagen. After completing his training at the Design School in Copenhagen, he worked at various design firms before setting up his own studio in 1942. In 1944 he opened the Hvidt & Mølgaard studio which he ran with Orla Mølgaard-Nielsen until 1975. They created a number of pioneering sets of furniture including Portex (1945) and Ax (1950), using a laminated technique for production by Fritz Hansen. During their collaboration they also designed many pieces for France and Daverkosen (latterly France and Son and CADO)
Hylton Nel
Artist-potter Hylton Nel was born in Zambia in 1941 and grew up on the family farm in the Northern Cape, South Africa. He studied fine art and painting at Rhodes University, Grahamstown between 1961 and 1965, and it was there that Nel began exploring ceramics. He went on to study painting and ceramics at the Royal Academy of Fine Arts in Antwerp for two years, before moving to England in 1969, where he ran an antiques shop.
Nel returned to South Africa in the 1970s, teaching pottery at the Port Elizabeth Technikon from 1974 to 1987. During the 1980s, he began producing painted plates. In 1987, he moved to Cape Town and taught drawing at Michaelis School of Fine Art for three years, followed by a year of teaching (again, drawing) at Stellenbosch University in the Western Cape. All the while, Nel continued to work on his own art.
Nel’s idiosyncratic ceramics include plates, vases, bowls, plaques, figurines, and small sculptures, many decorated with line drawings and script referencing decorative arts, literature, art history, erotica, and social and political issues. His witty imagery ranges from cats to angels, presidents to the Madonna.
Nel’s work is included in many collections in South Africa and has been exhibited widely, including in Dublin, Toronto and London.